A Quote by James Dashner

If you're going to decipher a hidden code from a complex set of different mazes, I'm pretty sure you need a girl's brain running the show. — © James Dashner
If you're going to decipher a hidden code from a complex set of different mazes, I'm pretty sure you need a girl's brain running the show.
I'm an infant with Shakespeare; I'm kind of learning how to walk. I am trying to decipher the code, you know? I do my research. And I get a clear understanding of what the language is. It is a tremendous process I have to go through as I am sure all actors do, finding the gems hidden in his language.
That’s what i love about poetry. The more abstract, the better. The stuff were your not sure what the poets talking about. You may have an idea, but you cant be sure. Not a hundred percent. Each word, specifically chosen, could have a million different meanings. Is it a stand-in ?a symbol for another idea? Does it fit into a larger, more hidden, metaphor? ...I hated poetry until someone showed me how to appreciate it. He told me to see poetry as a puzzle. Its up to the reader to decipher the code, or the words, based on everything they know about life and emotions.
We have to remain humble about our understanding of the brain, because even our most powerful tools remain pretty blunt instruments for decoding the brain. In fact, we still do not know how to decipher the basic language of how the brain works.
I've got many different voices - I have a Southern girl, an Irish girl. I have a gibberish language that you'd have to decipher. I guess I try to never take myself too seriously.
Human behavior is an enormously complex set of things, and that mixture of underlying things is different for different people, so it's not just complex, it's meta-complex.
Every show that I have been blessed to do I just get fun out of it like 'Girl Code/Guy Code'.
Ive got many different voices - I have a Southern girl, an Irish girl. I have a gibberish language that youd have to decipher. I guess I try to never take myself too seriously.
Running the triangle offense, you have pretty much set rotations where you are going to be at.
I was running track early in my years and I was breaking track records in sprint running. I was training and I wanted to be in the Olympics. I thought I was going to be able to win a gold medal, and my mind was pretty much set on 'this is what I want to do'.
Everyone tries to decipher what I write as if there's a hidden message and I'm like, 'There's no hidden message.' I don't even put that much energy into things. I wish I did.
It is as if the ordinary language we use every day has a hidden set of signals, a kind of secret code.
Only that, nothing more - a tiny beam of light to show some hidden aspect of reality, to help decipher and understand it and thus to initiate, if possible, a change in the conscience of some readers.
Before 'Pretty Girl' was released, I didn't really talk about my YouTube channel or show anyone. I didn't expect any of my videos to blow up like 'Pretty Girl' did.
I did have a thing for mazes. When I was a kid, I remember drawing little mazes constantly and puzzles. I loved that.
Where war destroys, art inspires. And in order to inspire, you need to penetrate the brain. In order to penetrate the brain, you need something to react to. To have something to react to, you need to get your emotions up and running. To get your emotions up and running, you need to have something that ... whatever direction you go in, it has to be a movement between you and the experience.
Specifically, my favorite tool in Java is hot code swapping in debug mode, meaning I can edit the code while the game is running and immediately see the results in the running game. This is super great for rapid tweaking.
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