A Quote by James De La Vega
I want people to take pride in Spanish Harlem. These are people that everyone in the community could relate to... people who mean something special to us.
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People are too afraid of uptown. A lot of people will tell you, like, "Don't go to Harlem. You can never go there. 'Cause as soon as you get there, they kill you." That's what people think. As soon as you arrive in Harlem, someone just stabs you in the face right away. That's people's image of Harlem: just everyone standing around waiting for lost white people to kill all day. "Did you see any? I didn't either."
Harlem is really a melting pot for a lot of different people. When you look at Harlem - and I lived there almost five years - most of the people who live in Harlem are transplants. They migrate to Harlem from another place.
The short-range involves the long-range. Immediate steps have to be taken to reeducate our people into the, a more real view of political, economic, and social conditions in this country, and our ability in, in a self- improvement program to gain control politically over every community in which we predominate, and also over the economy of that same community as here in Harlem. Instead of all the stores in Harlem being owned by white people, they should be owned and operated by black people.
We want someone else to act. But miracles aren't what other people do. They're what each of us does. They're what happens when ordinary people take extraordinary action. To be a miracle doesn't mean you have to tackle problems across the globe. It means making a difference in your own living room, cubicle, neighborhood, community.
How could I have been the valedictorian, the smartest, and never known Harlem existed? As a result, I began a lifelong learning experience, because I could not accept what the party line was with education - that these people want to live like this, these people don't have ambition, they don't want to work. You know, all the usual bullshit.
There were the people that believed in me when I was walking around Spanish Harlem, saying that I was going to be a Hollywood actress. They were like, 'Yeah, you could do it!'
I was raised in Harlem. I never found a book that took place in Harlem. I never had a church like mine in a book. I never had people like the people I knew. People who could not find their lives in books and celebrated felt bad about themselves. I needed to write to include the lives of these young people.
I'm not going to let Donald Trump take away from our community, something that Fannie Lou Hamer shed blood to give us. Something that Ella Jo Baker braved conditions in the South and sweatshops in Harlem to give us.
Many people in Harlem never go out of Harlem. I mean they'd never even been downtown. And you can see how this bitterness can accumulate. Here you see people crowded and hovered up in ghettos and slums with no hope.They see no way out.
Do you know what people really want? Everyone, I mean. Everybody in the world is thinking: I wish there was just one other person I could really talk to, who could really understand me, who'd be kind to me. That's what people really want, if they're telling the truth.
All people are special, and all moments are golden. There is no person and there is no time more special than another. Many people choose to believe that God communicates in special ways and only with special people. This removes the mass of the people from responsibility for hearing God's message, much less receiving it (which is another matter), and allows them to take someone else's word for everything.
If you're a musician, you create what you love and hope other people love it as well. Amongst musicians, the starting point is what they love, and then they bring people to them. As a comedian, you have to say something that people relate to, or nobody laughs. As an actor, you have to perform the character in the way that people relate to.
I think hand-drawn animation can be something really special. If the character design is quite simple it has the ability to allow people to easily relate to the characters in a special manner.
I take a lot of pride in helping people become great. I think that's an element of being a producer that people don't always take in: They want to be great for themselves, whereas I'd like to be recognized as having helped the most people get over the hump.
Then there was communism's weak-tea sister, socialism. Socialists maintained that we shouldn't take all the money away from all the people since all the people don't have money. We should take all the money away from only the people who make money. Then, when we run out of that, we could take more money from the people who...hey, wait! Where'd you people go? What do you mean you're "tax exiles in Monaco?"
My fear was not of death itself, but a death without meaning. I wanted my death to be something the people could relate to, a basis for further mobilization of the community.
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