A Quote by James Dean
To my way of thinking, an actor's course is set even before he's out of the cradle.
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It was an accident, although I've been involved in some kind of theatrical function or other since I was a child - in school, music, athletics. To me, acting is the most logical way for people's neuroses to manifest themselves, in this great need we all have to express ourselves. To my way of thinking, an actor's course is set even before he's out of the cradle.
It's important that the actor doesn't feel like they're working in a vacuum. If the actor is told, 'Oh, it's a secret; just play it this way or that way,' it's a bit patronising. I think you have to bring the actor into your thinking and explain things.
I went to a masterclass with Jonathan Pryce who said that a successful actor is not a famous actor, it's an actor who acts. And I have been incredibly fortunate to have worked constantly from the moment I left drama school, so I achieved what I set out to do. I am an actor.
The whole visual language of the movie is developed way before we get to set. Especially when you're doing visual effects and you don't have a lot of money to mess around, which we didn't, you have to really preplan everything. Pretty much every shot in the film was figured out months before we got to set.
The dangers of not thinking clearly are much greater now than ever before. It's not that there's something new in our way of thinking - it's that credulous and confused thinking can be much more lethal in ways it was never before.
That's one of the things I really respect and admire about 'Doctor Who', is that they're always thinking out of the box with the characters they write and the actor they employ to portray them. They're always challenging the stereotypes and peoples' way of thinking.
I love working with a set designer because, in many respects, you meet the set designer before you meet the actors. So it's a chance for me as a director to figure out what I'm thinking and to explore how the space is going to actually be activated.
Every actor has their own process. For me, I really need to stay in the pocket. So, if I'm on set and I'm in character, I'm not thinking like a producer. If I'm on set and I'm not in character, wardrobe and make-up, and I'm just coming on set for the moments that I'm not shooting, then I'm able to be the producer.
I became an actor kind of by accident. I was in musical theater and I got a job as an actor in a play and kept going. But I never set out to be an actor; it happened over time.
Before playing with his equals, the child is influenced by his parents. He is subjected from his cradle to a multiplicity of regulations, and even before language he becomes conscious of certain obligations.
Cosmopolis is the movie of my life. I didn't consider myself an actor before, even if I had 10 years of acting behind me. I always felt like a fraud, and inappropriate. I doubt a lot. David Cronenberg gave me confidence in myself. He changed my way of acting and thinking in this industry.
In this day and age, if you're aspiring to be an actor, and you're putting all your eggs in one basket, you could be disappointed. I started out as an actor, but I forced myself to be a writer, even though I wasn't very good at it and had never written. I don't think I ever passed an English course in my life. My first 8 to 10 scripts were pretty horrendous, but I stayed at it until I eventually found a voice and a subject that people were interested in. So, I recommend that you go out and try to be as versatile as possible: writer, actor, producer and especially director.
When I first set out to do it, I wanted to be a working actor, and now it seems like it's superseded even my dreams.
And I think the only way you're going to improve US foreign policy and set a sound course for the future is if you're willing to look back at what went wrong before.
I lived in America for a long time before I started working as an actor. Some actors show up on set and have never done an American accent before, so they rely on a slew of technical mechanisms. Part of what makes an accent is understanding why people speak that way - you have to understand the culture.
Possibly. I know on set, they were talking about ‘oh, a sequel’ or something. That would be way down the road, because this one we just finished. So, [I’m] not even thinking about that again. But they could be thinking about it. That would be fun.
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