A Quote by James Dean

You can do 'Hamlet' while performing cartwheels... as long as the audience sees your eyes - you can make the performance real. — © James Dean
You can do 'Hamlet' while performing cartwheels... as long as the audience sees your eyes - you can make the performance real.
On camera, the audience can see your eyes close up - they can see behind your eyes - and when you're on stage, you need to make sure that the person sitting in the back row can feel what's happening behind your eyes, even if they can't see them. Having a live audience is exhilarating and exciting all on its own, but you know, it is quite different.
We can look at any experience in two ways: through the eyes of lack, or the eyes of plenty. Fear sees limits, while love sees possibilities. Each attitude will be justified by the belief system you cherish. Change your allegiance from fear to love, and love will sustain you wherever you walk.
Learn as much as you can about performing. Live theater, improv classes, music, stand up comedy, dance, anything to make yourself confident and comfortable in front of an audience. It'll all come in handy when auditioning for producers and performing with other actors. The best voice actors all have a live performance background. And are competent, fearless, incredibly creative actors.
In recitals, you are naked before the audience - well, naked with your jacket and tails. The audience sees and hears the real person, not some role you are interpreting.
If you're an artist like a really, really long time, it stops being a performance. I'm not performing anymore. I reveal myself to the audience... I show you some of me. It's not a show no more.
I can skate beautifully. While performing on ice I always try to please the audience and to win as well. Being artistic is very important to get the audience on your side. As for a competition, you can't win without strong technical content.
Performing is always my biggest rush. The energy is boundless from a great crowd. I truly believe in energy as a force that is exchanged, especially in a performance situation. You give your utmost and the audience gives it back tenfold.
The nice thing about live performance is that I've never, ever been let down. Partly I'm lucky that my audience self-selects itself. Generally they know what they're in for, and generally we all just like each other and get along. But I always find one or two or a dozen really interesting people in the audience who make the show different. And that's one of the things I really like about performing.
The bus ride to the arena... I slipped on my Discman and listened to some of my favourite music, all the while imagining myself on the ice. Visualization and imagery are very important in figure skating, or any sport for that matter. This is where you see yourself in your mind performing in front of an audience and judges. I also imagine how I am going to feel during the performance. During the bus ride, I pictured myself skating a perfect program.
Jesus Himself has already paid the price for your sins, so stop condemning yourself! Today, when you look into the mirror, what do you see? Do you see yourself trapped in all your failings, mistakes, and sins? Or do you see what God sees? My dear friend, when God sees you today, He sees Jesus. Use your eyes of faith and believe that as Jesus is, so are you. In God’s eyes, you are righteous, you are favored, you are blessed, and you are healed. You are freed from all sin, all pangs of guilt, all forms of condemnation, and every bondage of addiction!
When I woke up in you, Cassie. I wasn't fully human until I saw myself in your eyes." And then there are real human tears in his real human eyes, and it's my turn to hold him while his heart breaks. My turn to see myself in his eyes.
And treating poetry as a performing art emphasizes its ephemerality. A printed poem can be endlessly reprinted, photocopied, scanned, uploaded, cut and pasted - but a performance, even if somebody's there with a video camera, is one time only: the audience experiences something that won't exist when the performance is over, and which won't ever be reproduced in exactly the same form. I find that appealing.
I kind of roll my eyes when people say they make music for themselves or they make art just for themselves, because, maybe in their head, what that means is that they're making it for someone who they don't think is real. Their audience isn't real. But it's still a communicative act. It's still an outward manifestation of longing.
I want to play King Lear, Macbeth, Benedict, Coriolanus. I wouldn't mind doing Hamlet again. Well, I'm a little old. Perhaps I can rub Vaseline on the audience's eyes.
I definitely love performing live because there are moments of spontaneity. And as much as you're performing on stage, I feel like the audience is performing, too.
Technology is improving to prevent musicians from losing their hearing while performing on stage... audience members losing their hearing from listening to loud music... people being able to experience music not just with their ears, but with touch or with through their eyes.
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