A Quote by James Dean
But you can't show some far off idyllic conception of behavior if you want the kids to come and see the picture. You've got to show what it's really like, and try to reach them on their own grounds.
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I think that ties into our name and the meaning behind our name, going Against the Current. We don't really want to fit in to one section. If we're able to be grouped into one category then we've become something that already exists, probably. We want all of those kids that would come out to that pizza shop to come to our show and all of those kids who know us from the radio to come to that show. We have kids that come to our show that have been coming to concerts for years, and ones that it's their first concert and they just wanted to see it. I think that's the best way to do it.
I wanted to show off - a simple impulse or drive; in much the same way as some kids wanted to play football, I wanted to show off. Not complicated in that sense, very natural; it just depends on how you want to show off.
Whenever we can, we try to talk to students. If I can, I'll invite kids from a school to a sound check and take questions from them. I want to show them it's cool to play the trombone. Kids are influenced by what's accessible to them. It's hard for kids to be introduced to music other than what they see on TV and video.
You know . . . a lot of kids at school hate their parents. Some of them got hit. And some of them got caught in the middle of wrong lives. Some of them were trophies for their parents to show the neighbors like ribbons or gold stars. And some of them just wanted to drink in peace.
The biggest lesson I've learned from my children is to look in the mirror at myself, not at them. I've realized that everything I've done has had an impact on them. We have to understand that they are like little paparazzi. They take our picture when we don't want them to and then they show it to us in their behavior.
I was very pleased to see that things have come far, far away from the Diva Search days where it was, 'Let's have a bunch of girls in bikinis flop around and look stupid so the public can vote them on or off the show.'
When people show me pictures of their kids, it's okay. But when I give them a picture of me, to show to their kids, I'm weird. What kind of one way street is that?
Some bruises you wear like badges of honour: when you got it playing rugby, or quad racing, or falling off something while drunk, no opportunity is lost to show off a good contusion. A bruise inflicted by someone else, however, is a whole other story: it's like a big flashing arrow marking you out as punchable, and before long there'll be boys queuing up to add bruises of their own, as if they'd just been waiting for somebody to show them it could be done.
When a show becomes successful, people want to hire the people on the show for other things, and we would all try to do other things, but we could never end up doing them, so casting directors were just like, 'Enough of them! Don't touch the 'Glee' kids, because you can't use them!'
People are gonna think that MTV censored me, and they really didn't. I really wanted to try to make a show that didn't rely on offensive, edgy material because I think it was an exercise in trying to write without that. Because I see that as a crutch sometimes and I want to know that I can do something funny and worthwhile without that. And also make a show that my parents would like and that kids could watch with their parents.
When I'm not doing the show, and the work has stopped, I walk into a restaurant and I'm shy; yet, when I'm in the show, when people come up with their phones and want to take my picture, I can handle it because it's almost like I'm wearing an armour.
As a kid, I used to take the sheet off of my mother's bed, make a tent and put on a show for the neighborhood kids and charge them two packs of matches. Then, the show got so good I started charging a penny.
'Criminal Minds,' our original show, is a phenomenal show, and all elements of that show work so well. I think that 'Suspect Behavior' just didn't click. I don't think it has anything to do with spin-offs. I think a spin-off still has to be successful on its own.
Whenever I perform I try to connect with the crowd and give off energy so when they walk away from the show its remarkable and its something they talk about it, like 'damn I cant wait to come back to my show.'
I don't want people at my shows to come out and say, 'I just saw a cool show.' I want them to say, 'I had fun at the show.' I want it to be a collaborative thing and be part of the audience and have them be part of me. I try to interact with everyone there and have them be equal to me because they are.
When kids want a picture or autograph, you reflect later on and realize you did something good. Then you see them come back five years later, they're all grown up, have their own lives and they tell you how much you inspired them. You're like, 'Whoa.'
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