A Quote by James Dyson
Beauty can come in strange forms.
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I think it is the natural and innate function of certain organisms to secrete beauty in permanent forms we call artworks, to respond to beauty by answering its discovery with a new beauty.
Strange that the vanity which accompanies beauty - excusable, perhaps, when there is such great beauty, or at any rate understandable - should persist after the beauty is gone.
I hope the day will come when a wasp-waist and a pair of thin shoulders will not be esteemed beauty: we have had our ideas ruined by trash novels, praising 'fragile forms' and 'delicate beauty,' 'dainty waists,' 'snow-drop faces,' and a lot of other nonsense.
I don't think the possibility for beauty can be foreclosed, because beauty can take so many forms. There is beauty that arises from the unexpected, when our familiar perspectives are thrown off balance. There is also the beauty that paradoxically comes out of the tragic, that emerges because we are reminded of what is no longer there, that becomes powerful because of what is absent.
Beauty is everywhere and it comes in all different forms. Many times I don't find a size zero girl amazing, I find her really shockingly thin or small, and I think that beauty comes in all different forms. Beauty is about how you feel. There are plenty of people who are amazing to look at who are super beautiful, and then there are plenty of people who are easy to look at who are not beautiful at all, they open their mouth or they have an attitude or they are cruel, and they look hideous suddenly.
The mathematician is fascinated with the marvelous beauty of the forms he constructs, and in their beauty he finds everlasting truth.
For he who would proceed aright... should begin in youth to visit beautiful forms... out of that he should create fair thoughts; and soon he will of himself perceive that the beauty of one form is akin to the beauty of another, and that beauty in every form is one and the same.
The beauty of a woman transcends all other forms of beauty, as well in the sweetness of its suggestions, as in the fervor of the admiration it awakens. The beauty of a lovely woman is an inspiration, a sweet delirium, a gentle madness. Her looks are love-potions. Heaven itself is never so clearly revealed to us as in the face of a beautiful woman.
Grace is in garments, in movements, in manners; beauty in the nude, and in forms. This is true of bodies; but when we speak of feelings, beauty is in their spirituality, and grace in their moderation.
Take Ezra Pound's translations of poetry from Chinese. He doesn't really know Chinese, and the very strange results that he comes up with aren't all successful, but as a whole it's incredibly successful, moving us away from familiar forms and indicating other forms we might think in or express in.
Beauty does not come with creams and lotions. God can give us beauty, but whether that beauty remains or chagnes is determined by our thoughts and deeds.
Yet how strange a thing is the beauty of music! The brief beauty that the player brings into being transforms a given period of time into pure continuance; it is certain never to be repeated; like the existence of dayflies and other such short-lived creatures, beauty is a perfect abstraction and creation of life itself. Nothing is so similar to life as music.
It is a strange thing to come home. While yet on the journey, you cannot at all realize how strange it will be.
I make YouTube viral videos all the time, and I made a video called 'Beauty and the Beat,' And as a strange, wacky coincidence, Justin Bieber dropped the song 'Beauty and a Beat.'
The experience of beauty is in the eye of the beholder, as they say. The artist's relation to the object of beauty, how the art makes that happen, is a whole other subject. Beauty is an event. Beauty is something that happens. There is no such thing as a beautiful object or a beautiful woman. These things do not come near it - the experience of beauty, the event of beauty. The anxiety about it is what makes it such a central concern of culture and makes us so interested in it.
There are three kinds of forms in the human figure: Ovoid forms - egg, ball and barrel masses; Column forms - cylinder, cone; Spatulate forms - box, slab and wedge blocks.
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