A Quote by James Ellroy
I think I'm out of crime fiction now, and I think the dividing line is American Tabloid.
Related Quotes
Well, I think that there's a very thin dividing line between success and failure. And I think if you start a business without financial backing, you're likely to go the wrong side of that dividing line.
The fault line in American history is now a dividing line in the election and it's changing the conversation.
The most popular American fiction seems to be about successful people who win, and good crime fiction typically does not explore that world. But honestly, if all crime fiction was quality fiction, it would be taken more seriously.
I think confronted with the modern world or with the rest of the world, I think people are becoming aware that the Western and Islamic civilizations have more in common than apart. It was a German scholar, C. H. Becker, who said a long time ago that the real dividing line is not between Islam and Christendom; it's the dividing line East of Islam, between the Islamic and Christian worlds together on the one hand and the rest of the world on the other. I think there is a lot of truth in that.
I can be very snobby about fiction, especially contemporary fiction. I can be kind of overly demanding, I think. But this is, I think, a good time. A lot of fiction comes out right now. So, I like reading the memoir. I love memoir, the biography, auto bio.
I think if you had to choose between running a tabloid and being president of the United States, of course you'd run the tabloid, especially in New York.
The line dividing the state from what is called private enterprise, orat least fromthehighlyorganized part of it, is a traditional fiction.
Well, I think that there's a very thin dividing line between success and failure.
When I set out to write crime fiction, I didn't think to myself, 'I'm going to model myself on Agatha Christie' or 'I am going to be a crime writer in the Christie tradition'.
I think for a certain demographic of American families that are not living below the poverty line, what is now becoming the working poor, I think they realize that their young daughters - and their sons, quite frankly - need to learn a skill set that is going to never go away, and I think that they see that in technology.
There's a fine line between fiction and non-fiction and I think I snorted it somewhere in 1979
The big dividing line is not and has never been between those who advocate more or less militant forms of resistance, or between mainstream and grassroots activists. The dividing line is between those who do something and those who do nothing.
This is a very special Greek kind of socialist, all the social democratic parties in Europe are against this idea and I think that the dividing line today in the Greek political system is not the centre right or socialist, the real dividing line is between those parties and those political forces who really believe that Greece should stay in the Eurozone and make the efforts and change, and make the reforms and change the old and Mr Tsipras who is really resisting any kind of change in Greece.
Now, just think, to accuse me of such a crime. Think of it! I, who have for twenty-five years single- handed struggled against the invasion of the Russian Government into American money markets, and to this day stave them off. Think of it! Who, as I, have been foremost in the past for agitation and insisted to the President of the United States; as some of you must know, that our treaty with Russia must be abrogated.
Domestic realism has dominated the American marketplace for decades now. It leeches into literary fiction, and I don't think it's that rich a vein.
There's the fact that American fiction is basically the most apolitical fiction on the globe. A South American writer wouldn't dare think of writing a novel if it didn't allude to the system into which these people are orchestrated - or an Eastern European writer, or a Russian writer, or a Chinese writer. Only American writers are able to imagine that the government and the corporations - all of it - seem to have no effect whatsoever.
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