A Quote by James Ellroy

[Raymond] Chandler, I reread him, and there's a lot of bad writing there. I don't think he knew much about people. — © James Ellroy
[Raymond] Chandler, I reread him, and there's a lot of bad writing there. I don't think he knew much about people.
With 'The Big Lebowski,' we were really consciously thinking about doing a Raymond Chandler story, as much as it's about L.A.
Raymond Chandler managed to write about L.A. his whole career. Should I keep going writing about New York? Is that what I should be doing? Songwriting doesn't work that way.
I don't much live my life as if I was living in a Raymond Chandler novel, which is probably a good thing.
I wrote my graduate thesis at New York University on hard-boiled fiction from the 1930s and 1940s, so, for about two years, I read nothing but Raymond Chandler, Dashiell Hammett, James Cain and Chester Himes. I developed such a love for this kind of writing.
And every place and time an author writes about is imaginary, from Oz to Raymond Chandler's L.A. to Dickens's London.
Raymond Chandler I love a lot, and the Austrian writer Thomas Bernhard. I really love his voice.
Raymond Chandler once wrote that Dashiell Hammett gave murder back to the people who really committed it.
You might learn as much about how to write by reading Shakespeare, Tolstoy, Wallace Stevens, Raymond Chandler, Saul Bellow, Paul Muldoon or a hundred other good novelists or poets than by seeing another round of John Ford revivals.
I was reading Raymond Chandler very much with the feminist eye. In six of his seven novels, it's the woman who presents herself in a sexual way, who is the main bad person. And then you start reading more fiction, whether crime fiction or straight fiction, it's just bad girls trying to make good boys do bad things, going all the way back to Adam and Eve. The woman that thou gavest me made me do it, Adam says to God.
I often tell people to stop being afraid of writing bad poetry, or bad anything. I think that a lot of times, when people claim that they have writer's block, or that they get stuck, it's just because they're scared of writing bad things.
My literary heroes all wrote about L.A.: Joseph Wambaugh, Ross Macdonald, and Raymond Chandler were the three writers that made me want to be a writer.
In researching 'The Luminaries,' I did read quite a lot of 20th-century crime. My favourites out of that were James M. Cain, Dassiell Hammett, Raymond Chandler and Graham Greene and Patricia Highsmith.
If Raymond Chandler came from the South, his name would be Ace Atkins.
I read a lot of science fiction, but I also mixed it up with a lot of other genres: crime, literary fiction, as well as nonfiction. Author-wise, I'm a fan of Stephen King, Lauren Beukes, Robert McCammon, Raymond Chandler, Greg Rucka, Ed Brubaker and Gail Simone, among many others.
I'm a disciple of Raymond Chandler, who said in his essays that there's a quality of redemption in anything that can be called art.
My music is about where I am at the time. In 'Raymond vs. Raymond,' I was going through a lot of things, and it came out in my music. My marriage fell apart, and I was suddenly a single father.
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