A Quote by James Ellroy
As critical acclaim and response has built up, every interview I give is a chance to puncture the myth I've created about my work and refine it.
Related Quotes
I get commercial acclaim because of critical acclaim and it is a chain reaction.
The response to war is to live like brothers and sisters. The response to injustice is to share. The response to despair is a limitless trust and hope. The response to prejudice and hatred is forgiveness. To work for community is to work for humanity. To work for peace is to work for a true political solution; it is to work for the Kingdom of God. It is to work to enable every one to live and taste the secret joys of the human person united to the eternal.
Everyone wants to be liked, so of course you want critical acclaim. After that, box office acclaim isn't bad. More than anything I think you have to try and make something you're proud of.
There is a sad myth going around today - the myth of neutrality. According to this myth, the secular world gives every point of view an equal chance to be heard. And it works fairly well - unless you are a Christian.
Whether the work that I do shall succeed or achieve critical acclaim is for the audience to decide.
There's obviously different roads you can go down. And I think if you study it, how teams are built - and I went through this in Minnesota - the draft is critical, free agency is critical, player development is critical and trade opportunities are critical.
If I don't impress you in an interview then fine, but at least give me that chance. That's all I want; to talk to a chairman or owner about my philosophy and what I can do for their team.
Arrested Development was such an amazing experience in every way, and you know it was very unique in that it was a show that received a lot of critical acclaim, and yet we didn't ever achieve the ratings that we wanted.
No, Arrested Development was such an amazing experience in every way, and you know it was very unique in that it was a show that received a lot of critical acclaim, and yet we didn't ever achieve the ratings that we wanted.
In every interview I've got to explain something about being white but still being into hip hop. It's gone way beyond the musical aspect of the business. And I'm as critical about music as everybody else is.
Your mind, in order to defend itself starts to give life to inanimate objects. When that happens it solves the problem of stimulus and response because literally if you're by yourself you lose the element of stimulus and response. Somebody asks a question, you give a response. So, when you lose the stimulus and response, what I connected to is that you actually create all the stimulus and response.
When I had my first show at Artists Space in 1979, I imagined my life like game show. There were two doors: one door had a big dollar sign on it, and the other just had sort of a blurry picture of a newspaper - the money door or the critical response and acclaim door.
For the plain people of Ireland... If your car's got a puncture, and you know its got a puncture and its still got a puncture after two weeks, then you don't know how how to change a tyre.
It's nice being able to speak for myself. Every interview I did for so many years and every time I was in front of the camera, pre-Twitter, there was no way for me to speak for myself. Every interview started with, 'What was it like to work for this man?'
You get one chance to do something about native title. You get perhaps one chance in your life to do something about a republic. You get one chance, your chance, to build a piece of the political architecture in the Pacific. I wasn't going to give those up.
It is about getting better every game. Work ethic was the first part. We were not ready to give up and the Slovaks did not give up also. That is what the Olympics are all about. We executed where we needed to execute. It was important to play the way we always play.
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