A Quote by James Ensor
My art tends toward the literary. My pictures tend toward the outskirts of painting: But why generalize? It is possible to realize one thing or another, according to the impressions gained from one point of view or another. But it is too difficult to make a general rule.
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My overall approach toward art is to remain as open as possible in front of the world, to always be curious, not to be afraid to experiment, and have a sense of self-criticism and a general criticism toward the surrounding. Also, trying to make a difference between serious research and pure gag! And making as few compromises as possible toward doing things that might not be accepted by the majority of society, even if this dominant society is the one which is ruling the art world. To keep this fundamental idea, even if it's a bit trivial: to have the desire to transform the world.
'The Expats' is a thriller, but one that tends more toward general fiction than toward breathless pulp.
As a general rule, I would say that human beings never behave more badly toward one another than when they believe they are protecting God.
What I noticed at Grace-Calvary is the same thing I notice whenever people aim to solve their conflicts with one another by turning to the bible: defending the dried ink marks on the page becomes more vital than defending their neighbor. As a general rule, I would say that human beings never behave more badly toward one another than when they believe they are protecting God. In the words of Arun Gandhi, grandson of Mohandas, 'People of the Book risk putting the book above people.
It's joyful in that there's another point of view on all things, you know, not just mine. That's why I like to write and collaborate with people. There's another point of view, and when those two things come together, and people work at it really hard, they get something that is the whole is more than the sum of - is that how you say that?
When a person is in a miserable situation, then, yes, it is difficult to develop genuine compassion toward others. That's why I find it difficult to say to poor people, "Please have compassion toward millionaires." That's not easy.
It was very definitely architectural. I was using the words on the page as some kind of equivalent of a physical model. But I never thought at that point that I wanted to move toward architecture. I wanted to move toward real space. Sure, that's probably another way of saying, I want to move toward architecture. But I didn't define real space in terms of architecture, then.
Every human being lived behind an impenetrable wall of choking mist within which no other but he existed. Occasionally there were the dim signals from deep within the cavern in which another man was located so that each might grope toward the other. Yet because they did not know one another, and could not understand one another, and dared not trust one another, and felt from infancy the terrors and insecurity of that ultimate isolation there was the hunted fear of man for man, the savage rapacity of man toward man.
Every marriage moves either toward enhancing one another’s glory or toward degrading each other.
Closely allied to the assumption that Democrats can't win because they're too secular is the view that they can't win if they're too liberal. This assumption has steered Hillary Clinton toward the center, following her husband. I tend to share this view myself.
The practice of patience toward one another, the overlooking of one another's defects, and the bearing of one another's burdens is the most elementary condition of all human and social activity in the family, in the professions, and in society.
Every great work of art has two faces, one toward its own time and one toward the future, toward eternity.
I think a lot of times our culture has an attitude toward art and the production of art that separates artists from the rest of us, like making art or music or painting or whatever is some magical thing that you have to be inspired to do, and special people do it.
History is moving, and it will tend toward hope, or tend toward tragedy.
It would be foolish to assert that there is no power above mine. Only the attitude that I take toward it will be quite another than that of the religious age: I shall be the enemy of every higher power, while religion teaches us to make it our friend and be humble toward it.
You should know what makes one photo brilliant and another. Why one illustration is instructive and another is banal. Why one blurb is clever and another is trying too hard. Why one video is brilliantly entertaining and another is cheesy. Bottom line: you should want to do great work with a great team-no matter the cost.
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