A Quote by James Fallows

I seem to be one of the few people in journalism who never worked or wrote for the 'Boston Phoenix.' I certainly read and admired it, and feel the same general malaise at news that it is gone.
I never even thought of myself as deadpan until someone wrote an article about me about a year after I was doing comedy. There was a paper called the 'Boston Phoenix,' and someone wrote a description of what I was doing and that's where I first saw 'deadpan.'
Yes, I have done a few things like always, worked immensely hard, always respected people, admired good work, and never let success blow my top off; probably this has worked in my favour.
At what price do we get our news? The role of economics in defining the nature of contemporary journalism has never been better explained. A valuable, important book for those of us who watch, read, or listen to the news.
I can read books and news articles about people who have excelled, people who have done extremely well in their chosen field, or made a lot of money, or married well, or what have you. When some people read this stuff, they get inspired, but when I read it, it makes me feel worse. Sometimes I wish I had never learned to read.
Before I got into television, I was working in New York. I interviewed a few people there, wrote a few articles for a fashion magazine out there called Paper' - which I hugely admired.
The journalists in America are no longer covering critical stories. Investigative journalism is gone. Foreign-news coverage is gone. The press is owned by five giant corporations.
We read fine things but never feel them to the full until we have gone the same steps as the author.
It was disconcerting for the novel to seem so different when I re-read it. Of course we are a different person each time we open a book to read it again; we can never really experience it in the same way, just as we can never step into the same stream twice.
I started off in journalism 16 years ago in Stockholm, and I wrote for a few different publications for many years. I've also worked in advertising as a copywriter and creative director, but I changed it for architecture at 25 years old.
I've never really found inspiration for story ideas in the news, but I'd say it certainly affects our lives in so many ways. I would say that certainly the stories of the day appear in the work - I just have never gone so far as to say, well, this particular event could influence a plot of an entire book.
I consider what I do on Deadspin to be based in the foundations of journalism, yes, based on the foundations of journalism that I have been trained and that I certainly use when I write for GQ and The New York Times and so on. Certainly, I think the language can be a little looser on the web, but I am held to the same standards and accuracy everyone else is.
We had a general awareness, for example, of Russian use of social media - Facebook ads, use of Twitter, fake news implants - we had a general understanding of that. But now, as time has elapsed and time has gone on, I've certainly learned a lot more about the depth and breadth of what the Russians were about.
I read Google News and use NetNewsWire to keep up with general and tech news.
News at Work is a vivid, inside look at the collision of print journalism and electronic media. Based on close access to the leading news organizations in Buenos Aires, Boczkowski documents how contemporary journalism is caught in the grip of emulation; this spiral of imitation exacerbated further by global news media and their intensifying homogenization. The portrait of this transformation of the news is both fascinating and deeply worrying, and is guaranteed to provoke debate.
Men in general judge more by the sense of sight than by the sense of touch, because everyone can see but few can test by feeling. Everyone sees what you seem to be, few know what you really are; and those few do not dare take a stand against the general opinion.
Journalism is the art of collecting varying kinds of information (commonly called news) which a few people possess and of transmitting it to a much larger number of people who are supposed to desire to share it.
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