A Quote by James Fenimore Cooper
I can never tire of speaking of the bridges of Paris. By day and by night have I paused on them to gaze at their views; the word not being too comprehensive for the crowds and groupings of objects that are visible from their arches.
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And really, the reason we think of death in celestial terms is that the visible firmament, especially at night (above our blacked-out Paris with the gaunt arches of its Boulevard Exelmans and the ceaseless Alpine gurgle of desolate latrines), is the most adequate and ever-present symbol of that vast silent explosion.
Pulsars are in an ideal part of the universe to test Einstein's theory of relativity - so far, it's holding up well. They may even one day act as navigational beacons for spacecraft. I'll never tire of them; they really are the most extraordinary objects.
Paris by day, Paris by night, the most visited city in the world, will never disappoint you, but be sure to get off the beaten tracks.
When I'm on tour, I'm in a new city every single night, and the energy and the crowds and the kids and the screaming and them knowing every single word of my music and being onstage is such an energetic feeling with a big payoff.
It's an extraordinary thing about Mozart is that you never tire of him... he never bores me, and he doesn't... not only bore me, that's too strong a word.
I've never forgotten a word of advice my father gave to me. 'Never lose sight of your dream,' he said 'Of that person you want to be. You can make it come true, No matter how high or how far, If all down the way In your living each day, You never forget who you are.' 'For the you-that-you-are this minute, this day; Is molding the you-that-will-be, And every action and thought and word is shaping its entity.' 'It's a good thing,' he said 'To look on ahead and fix your gaze on a star, if along the way in your living each day you never forget who you are.
After the occupation of Paris, Hitler visited Paris, which of course was a great jewel for him, and he wanted to go up on the Eiffel Tower and gaze down upon the city of Paris, which he'd conquered. For some reason the elevators mysteriously stopped working that day. Some people say it might have had to do with the French resistance. So he couldn't go up.
Rick Blaine: We'll always have Paris. We didn't have Paris, we lost it until you came to Casablanca. We got it back last night. Ilsa Lund: When I said I would never leave you. . . . Rick Blaine: And you never will. But I got a job to do too. Where I'm going you can't follow. What I've got to do, you can't be any part of. Ilsa, I'm no good at being noble but it doesn't take much to see that the problems of three little people don't amount to a hill of beans in this crazy world. Someday you'll understand that. Now, now . . . here's looking at you kid.
I discover vision, not as a 'thinking about seeing,' to use Descartes expression, but as a gaze at grips with a visible world, and that is why for me there can be another's gaze.
Bridges are burning all around us; bridges to responses that might have mitigated the already brutal (and just beginning) ravages of Peak Oil; bridges to reduce the likelihood of war and famine; bridges to avoid our selectively chosen suicide; bridges to change at least a part of energy infrastructure and consumption; bridges to becoming something better than we are or have been; bridges to non-violence. Those bridges are effectively gone.
Thanks to the night, we long for the day; thanks to the day, we long for the night! The purpose of the opposites is to make us long for something! Thanks to the crowds, we long for the solitude; thanks to the solitude, we long for the crowds!
The popular and scientific views of "race" no longer coincide. The word "race," as applied scientifically to human groupings, has lost any sharpness of meaning. To-day it is hardly definable in scientific terms, except as an abstract concept which may, under certain conditions, very different from those now prevalent, have been realized approximately in the past and might, under certain other but equally different conditions, be realized in the distant future.
Iconic Paris tells us: here are our three-star attractions, go thou and marvel. And so we gaze obediently at what we are told to gaze at, without exactly asking why.
Most songs have bridges in them, to distract listeners from the main verses of a song so they don't get bored. My songs don't have a lot of bridges because lyric poetry never had them.
Once a person knows a kiss and a kind word, you can't blame him for never wanting to live without them again. - "The Bridges of Madison County"
I feel called to help individuals, to love each human being. I never think in terms of crowds in general but in terms of persons. Were I to think about crowds, I would never begin anything.
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