A Quote by James Fenton

I don't see that a single line can constitute a stanza, although it can constitute a whole poem. — © James Fenton
I don't see that a single line can constitute a stanza, although it can constitute a whole poem.
The Italian word 'stanza' means 'a room', and a room is a good way to conceive of a stanza. A room, generally speaking, is sufficient for its own purposes, but it does not constitute a house. A stanza has the same sense of containment, without being complete or independent.
The correct relationship between the higher and lower classes, the appropriate mutual interaction between the two is, as such, the true underlying support on which the improvement of the human species rests. The higher classes constitute the mind of the single large whole of humanity; the lower classes constitute its limbs; the former are the thinking and designing [ Entwerfende ] part, the latter the executive part.
Reading and writing, arithmetic and grammar do not constitute education, any more than a knife, fork and spoon constitute a dinner.
These measures may not constitute an absolute guarantee of peace, but, in my opinion, they constitute the greatest preventive measures ever adopted by nations.
Each poem seems to demand its own formal approach. In both drafting and revision, I'll play around with line lengths and stanza formations, eventually letting the poem settle into what I think is its own best form.
I think of my peace paintings as one long poem, with each painting being a single stanza.
I don't doubt that there are many presidential acts that would constitute obstructions of justice if anyone but the president engaged in them but which constitute legitimate exercises of presidential power when the president engages in them.
Facts, when combined with ideas, constitute the greatest force in the world. They are greater than armaments, greater than finance, greater than science, business and law because they constitute the common denominator of all of them.
It was early on in 1965 when I wrote some of my first poems. I sent a poem to 'Harper's' magazine because they paid a dollar a line. I had an eighteen-line poem, and just as I was putting it into the envelope, I stopped and decided to make it a thirty-six-line poem. It seemed like the poem came back the next day: no letter, nothing.
... landscapes or still-lifes I paint in between the abstract works; they constitute about one-tenth of my production. On the one hand they are useful, because I like to work from nature - although I do use a photograph - because I think that any detail from nature has a logic I would like to see in abstraction as well.
There is a fundamental error in separating the parts from the whole, the mistake of atomizing what should not be atomized. Unity and complementarity constitute reality.
On occasions, after drinking a pint of beer at luncheon, there would be a flow into my mind with sudden and unaccountable emotion, sometimes a line or two of verse, sometimes a whole stanza, accompanied, not preceded by a vague notion of the poem which they were destined to form a part of.... I say bubble up because, so far as I could make out, the source of the suggestions thus proffered to the brain was the pit of the stomach.
At certain times in the revolutionary struggle, the difficulties outweigh the favorable conditions and so constitute the principal aspect of the contradiction and the favorable conditions constitute the secondary aspect. But through their efforts the revolutionaries can overcome the difficulties step by step and open up a favorable new situation, thus a difficult situation yields place to a favorable one.
Nothing but a necessity invincible by any other means can justify ... a prostitution of laws, which constitute the pillars of our whole system of jurisprudence.
We shall establish an united Chinese Republic in order that all the peoples - Manchus, Mongols, Tibetans, Tartars, and Chinese - should constitute a single powerful nation.
At four lines, with the quatrain, we reach the basic stanza form familiar from a whole range of English poetic practice. This is the length of the ballad stanza, the verse of a hymn, and innumerable other kinds of verse.
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