A Quote by James Fenton

'Love' is so short of perfect rhymes that convention allows half-rhymes like 'move.' The alternative is a plague of doves, or a kind of poem in which the poet addresses his adored both as 'love' and as 'guv' - a perfectly decent solution once, but only once, in a while.
"Love" is so short of perfect rhymes that convention allows half-rhymes like "move". The alternative is a plague of doves, or a kind of poem in which the poet addresses his adored both as "love" and as "guv" - a perfectly decent solution once, but only once, in a while.
Like a French poem is life; being only perfect in structure when with the masculine rhymes mingled the feminine are.
People only call me 'Fiery' because it rhymes with Fred, just like 'Typhoon' rhymes with Tyson
I love rhymes; I love to write a poem about New York and rhyme 'oysters' with 'The Cloisters.' And 'The lady from Knoxville who bought her brassieres by the boxful.' I just feel a sort of small triumph.
The basic rhymes in English are masculine, which is to say that the last syllable of the line is stressed: 'lane' rhymes with 'pain,' but it also rhymes with 'urbane' since the last syllable of 'urbane' is stressed. 'Lane' does not rhyme with 'methane.'
The basic rhymes in English are masculine, which is to say that the last syllable of the line is stressed: "lane" rhymes with "pain", but it also rhymes with "urbane" since the last syllable of "urbane" is stressed. "Lane" does not rhyme with "methane".
But he had been in love once, that he knew. Once and only once, and a long time ago. And it had changed him forever. Perfect love did that to a person and this had been perfect.
My favorite rhymes are sort of half-rhymes where you might just get the vowel sound the same, but it's not really a true rhyme. That gives you far more flexibility to capture the feeling you're trying to express. But sometimes it's best not to have any rhyme.
I am not sure, once a poet has found out what has been written already, and how it was written - once, in short, he has learnt his trade - that he should bother with literature at all. Poetry is not like surgery, a technique that can be copied. Every operation the poet performs is unique, and need never be done again.
Trust God's love. His perfect love. Don't fear He will discover your past. He already has. Don't fear disappointing Him in the future. He can show you the chapter in which you will. With perfect knowledge of the past and perfect vision of the future, He loves you perfectly in spite of both.
I drink twenty forties, smoke forty blunts, Say a hundred rhymes, and not sound like you once.
We love but once, for once only are we perfectly equipped for loving.
The real biographies of poets are like those of birds, almost identical - their data are in the way they sound. A poet's biography lies in his twists of language, in his meters, rhymes, and metaphors.
There are two ways of dealing with nonsense in this world. One way is to put nonsense in the right place; as when people put nonsense into nursery rhymes. The other is to put nonsense in the wrong place; as when they put it into educational addresses, psychological criticisms, and complaints against nursery rhymes or other normal amusements of mankind.
...these poets here, you see, they are not of this world:let them live their strange life; let them be cold and hungry, let them run, love and sing: they are as rich as Jacques Coeur, all these silly children, for they have their souls full of rhymes, rhymes which laugh and cry, which make us laugh or cry: Let them live: God blesses all the merciful: and the world blesses the poets.
Too many songs, weak rhymes that's mad long. Make it brief son: half short, twice strong!
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