A Quote by James Fenton

This is what rhyme does. In a couplet, the first rhyme is like a question to which the second rhyme is an answer. The first rhyme leaves something in the air, some unanswered business. In most quatrains, space is created between the rhyme that poses the question and the rhyme that gives the answer - it is like a pleasure deferred.
Rhyme to kill, rhyme to murder, rhyme to stomp, Rhyme to ill, rhyme to romp, Rhyme to smack, rhyme to shock, rhyme to roll, Rhyme to destroy anything, toy boy. On the microphone: I'm Poppa Large, big shot on the East Coast.
Some rhyme a neebor's name to lash; Some rhyme (vain thought!) for needfu' cash; Some rhyme to court the countra clash, An' raise a din; For me, an aim I never fash; I rhyme for fun.
Generally speaking, rhyme is the marker for the end of a line. The first rhyme-word is like a challenge thrown down, which the poem itself has to respond to.
When I began rapping, I only had one form at my disposal. All I had, all I needed was a rhyme verse; sixteen bar, thirty-two bar, whatever it was. If I had an idea it came out as a rhyme. When I challenged myself to think beyond that, my first thing other than a rhyme that I wrote was a play.
At first I was laboring under the impression that Chinese lyrics didn't rhyme. That turned out to be untrue - they don't rhyme in translation.
In 1967, in DeKalb v. DeSpain, a court (255 F.Supp. 655. N.D.Ill. 1966.) took a 4-line nursery rhyme used by a K-5 kindergarten class and declared the nursery rhyme unconstitutional. The court explained that although the word 'God' was not contained in this nursery rhyme, if someone were to hear the rhyme, he might think that it was talking about God - and that would be unconstitutional!
Assonance is not the enemy of rhyme. It helps us to respect rhyme, which has been spoiled by mechanical use.
I prefer assonance and internal rhyme to end rhyme. I mean, the sonnet already looks like a box. Best not to get too boxed in, though.
I love poetry. I love rhyming. Do you know, there are poets who don't rhyme? Shakespeare did not rhyme most of the time, and that's why I do not like him.
I mean, when it's time to rhyme rhyme, I can get down for mine.
I thought of rhyme alone, For rhyme can beat a measure out of trouble And make the daylight sweet once more.
I am my own parent when it comes to rapping and do impromptu stuff. Being a rapper, you have to be good at improvising, like you give me a word and I have to rhyme it quickly and then make sense out of the rhyme.
From dream to dream and rhyme to rhyme I have ranged / In rambling talk with an image of air: / Vague memories, nothing but memories.
In mockery I have set A powerful emblem up, And sing it rhyme upon rhyme In mockery of a time Half dead at the top.
My favorite rhymes are sort of half-rhymes where you might just get the vowel sound the same, but it's not really a true rhyme. That gives you far more flexibility to capture the feeling you're trying to express. But sometimes it's best not to have any rhyme.
Yea, marry, now it is somewhat, for now it is rhyme; before, it was neither rhyme nor reason.
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