A Quote by James Frain
Every project has its things to be overcome, but I didn't find that there was anything particularly impossible about what we were doing - it was all quite exciting.
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One of the very, very exciting things I have found here in L.A. is that no one talks to you about being Scottish. Whereas, if you are in London and you are trying to put films together and be a film-maker, there is a kind of unspoken sense that, if you are Scottish, you have something to overcome or else you cannot really do that project.
Architecture adds dimensions to my life that would be impossible to acquire if I retired. The beautiful thing about architecture is that every project is brand new. I am forced to renew myself with every project. Isn't that wonderful?
I've been so fortunate throughout my career, when I was doing theater, more theater than anything else, and when I was doing films that I got a chance just to do a broad range of things. In fact, a lot of my choices that I made were about that very thing. Every project that I had an opportunity to do or chose to do, I wanted it to be different from the last thing I did, and I think that's why I have a good, you know, I had kind of a diverse kind of résumé. I'm really - it's what I set out to do as an actor originally.
When you're very young, you suddenly find this marvellous freedom. It's quite exciting, and you're prepared to do anything.
Every time I do one I feel like I've never really quite learned anything. I always find that when I'm making a film, I find it a little bit like I'm doing it for the first time.
One of the things that's been nice about my career is that I've been able to do so many different things, and variety keeps your creative soul fulfilled. I'm constantly looking to find new things to do. It's just project to project for me. You never know where the next thing's going to come from.
I love every aspect of the performing arts and can't imagine myself doing anything different. I give my heart to every project.
When I said yes to doing 'Queen's Gambit,' I was feeling burned out on directing and movie-wise wasn't sure what my next big project was going to be. So I said yes to doing this very different type of project that required a different skill set from me, sort of just to shake things up, if anything.
Every hour that you spend doing something, even if you love it more than anything, you're not with your family. Every project that you take on, that's another choice.
I am not bothered about fashion's speed-up. I find it quite exciting!
The whole point of science is that most of it is uncertain. That's why science is exciting--because we don't know. Science is all about things we don't understand. The public, of course, imagines science is just a set of facts. But it's not. Science is a process of exploring, which is always partial. We explore, and we find out things that we understand. We find out things we thought we understood were wrong. That's how it makes progress.
I have written screenplays. Most recently for Errol Morris, who was thinking about doing his first fiction movie, and with a young director who wanted to adopt Project X. Errol was a hoot. I loved talking with him. We were a good match, too, because we both kept joking that we'd found the only other person on earth more ambivalent than we were about the project.
I tried doing yoga, but I have dislocating shoulders, one of which has been pinned, so I find things such as yoga and pilates, where you have to stretch quite high up with your arms and things, quite difficult.
One of the things I find exciting about Joan of Arc is how clearly the story of her life reveals the creation of myth, a process in which every one of us is involved - every one of us who tells stories and all those who listen, each informing the other.
And there were times when one yielded quite shamelessly to the sentimental. They were more likely to be times of crickets, I think, than of birds - when it was impossible not to feel, like another essence of the sunlight, the bittersweet of life that lingers about old houses, and places where men have died, and things that forgotten hands have touched.
I used to think she was quite intelligent , in my stupidity. The reason I did was because she knew quite a lot about the theater and plays and literature and all that stuff. If somebody knows quite a lot about all those things, it takes you quite a while to find out whether they're really stupid or not.
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