A Quote by James Frain
I was surprised by how much of it I was in [Tron: Legacy]. I thought the character was just going to register as a smaller figure because most of what I did was with a body double, and then I would do the stand-in with Jeff [Bridges] and he would be just wearing his regular clothes.
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When I was in art school, I thought art was something I would learn how to do, and then I would just do it. At a certain point I realized that it wasn't going to work like that. Basically, I would have to start over every day and figure out what art was going to be.
I know, for me, dance did inspire me. Not just in how I feel but that confidence of being able to hold myself and come into a room and just feel comfortable with my body and how I stand and how you present yourself and just how you wear clothes, even.
People would ask me about my legacy, and I would tell them my legacy is what I did. You can't change it. It's just what you do or what you did.
I thought of Jeff Bridges in 'Hell or High Water' and Ben Foster, and I kept trying very hard not to, because you're terrified you're going to write this thing that then feeds specifically to this one person that then won't do it.
I always use the Jeff Beck model. Jeff Beck is just a genius, and he keeps getting better ... If there's anybody in your field you want to aspire to be like, it is a guy who does what he wants to do. Every record at least he comes out with one thing that makes everybodys' jaw drop ... I would hope that Jimi Hendrix would have done that, although, man, the odds are against him because he did so much in such a short amount of time.
Never in a million years would I have imagined that this is how my life would have ended up. I just thought I would be living in the States, doing a regular job.
The problem, of course, was that people did not seem to understand the difference between right and wrong. They needed to be reminded about this, because if you left it to them to work out for themselves, they would never bother. They would just find out what was best for them, and then they would call that the right thing. That's how most people thought.
When the OutKast sound changed and I started producing my own records, I would mirror what I thought that character doing that music would look like. As the sound got a little wilder, freakier and funkier, so did the clothes. Then when the sound got more sophisticated, the clothes changed again.
When I first told people I was writing a book, some would say that was interesting, but others thought it was some holiday project and I would lose interest. I think my parents thought the same thing, and they were surprised when I kept going. I'm not sure I thought I would keep going, but then it became a big part of my life.
I think as you become a more open person and let others in, just in your regular life, you'll be surprised by how much you find and how you can then incorporate that into the work you put online.
The idea itself, the notion of what the next Tron could be, is exciting enough that it would be worth going back to do it. Obviously we hinted some things at the end of Legacy, it's kind of there for people to see what that potential is. So we just want to make sure that we have a script that delivers on that promise on an epic scale."
I'm a Brit and I just put myself on tape, back in London, for a very distant American project that I thought I didn't stand a chance of getting. And then, I got a call about a week after I had submitted my tape, just saying, "They really like you and want to screen test you." So, I flew to L.A. and did the screen test. And then, I met Elijah [Wood] and did a screen test with him. And then, I had a very nerve-wracking few days back home, waiting and waiting and thinking, "This cannot possibly go my way because that would just be too good to be true." And then, it did.
I just tried not to just quit. Because sometimes I did have a tendency to think that I would never be back I would never be wearing an NBA logo.
I was addicted to 'The Monkees' TV programme - not so much because of the music but because of the commercials in between. The programme was sponsored by Yardley, and in the commercial breaks, there would be these English girls on roller skates, wearing hot pants, and I just thought, 'God! How neat!'
In the old days when I first was coming up, you would turn up on set in the morning with your coffee, script, and hangover and you would figure out what you were going to do with the day and how you were going to play the scenes. You would rehearse and then invite the crew in to watch the actors go through the scenes. The actors would go away to makeup and costume and the director and the DP would work out how they were going to cover what the actors had just done.
We don't talk about that at all as a country. I think that most people assume that there's nothing they could do if a nuclear bomb went off in their city. And that's just not true. Most people would survive most terrorist nuclear attacks because the bombs would likely be much smaller than those we were dealing with in the Cold War.
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