A Quote by James Franco
In any creative endeavor, you do have to sort of take your shots. Nobody is going to beg you to go into the creative arts. So, if you want to pursue a career in something like acting or writing, the motor and the drive have to come from you. And that does take courage because, A, a lot of people want to do it, and B, it's hard. So, you have to have the guts to put yourself out there and go for it in spite of the world saying, "You know, it would be so much easier, if you didn't pursue this." So, it does take guts.
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Obviously it's much easier to say that you're going to follow your passions when you're financially secure, but at least we can take solace in the fact that we now have the time to pursue the things that we really want to pursue because now the option of doing things just for the money isn't necessarily there.
If you wanted to pursue some kind of artistic pursuit and you had another career, then you would definitely fall back on it because it would take so long. I never believed I could do two things at once. The jobs I had were minimum wage jobs that you wouldn't want to pursue for too long, or that couldn't really take over your life.
I know that if I'd had to go and take an exam for acting, I wouldn't have got anywhere. You don't take exams for acting, you take your courage.
I'm very much a creative person, but you've got to do the follow-through. A lot of people start out with an exciting thing and they want to take over the world, but really the people who do take over the world have a good plan of how to get there and the steps along the way.
At some point in time, you definitely have to go drama. Not to say that you're going drama just because everybody else does it. You do it to challenge yourself. You do it because, naturally, in the profession of acting, you want to show growth. You want to say that you take the craft seriously.
The way I lived, I grew up in a time where people would take your shoes, they'll take your jacket, they'll take your cheese without a gun. So people would jump on you - this was like fourteen, fifteen years old. So it always taught me that you gotta have your crew, in some ways you gotta move, don't put your self in harm's way, and definitely if you're a street dude and want any kind off credibility, don't put yourself under the mercy of anybody else, or you'll be at their mercy; they can do what they want to do to you.
With touring, it's like you're in this car and you've got this much fuel. You know that if you drive carefully and take your time and search your way so that you don't take the wrong turn, you'll have exactly enough fuel to go where you're going. You are empowered as you go by your audience.
In my opinion, if you want to pursue an art, especially acting, you have to be really perceptive of what people go through. There is so much bad in the world, and I think that acting it out and exploring it almost helps you deal with it.
Everything tells me that I am about to make a wrong decision, but making mistakes is just part of life. What does the world want of me? Does it want me to take no risks, to go back to where I came from because I didn't have the courage to say "yes" to life?
I'm saying nobody's got the guts to be a J. Cole. Nobody's got the guts to be a Kendrick Lamar. We need more of them... Everybody wants to go the easy route.
I'm not better when I force shots. I'm going to take them as they come. They are really sagging in there, trying to take me out of the game. It's my job to find guys. I want to be aggressive and take my shots, but I can't force them.
I think if you're a creative person, then you're always kinda looking to move things along - 'Where else can I go? Where can I take this?' From painters to photographers - anything creative in the arts - if you're a true artist, I think you'll always look to do something else. 'Where else can I go with it?' Do you know what I mean?
I find it hard to write with writers sometimes because of their way of writing. Some are heavily focused on structure, but I have more of a 'Let's go with it' mindset. I like to be creative, and when I hear something that inspires me, I'll come up with a melody, a lyric to that melody, and take it from there. I try to keep it open.
In general, I feel, or I have come to feel, that the richest writing comes not from the people who dedicate themselves to writing alone. I know this is contradicted again and again but I continue to feel it. They don't, of course, write as much, or as fast, but I think it is riper and more satisfying when it does come. One of the difficulties of writing or doing any kind of creative work in America seems to me to be that we put such stress on production and material results. We put a time pressure and a mass pressure on creative work which are meaningless and infantile in that field.
For a while the creative writing community sort of sprung out of places like Iowa and Syracuse. The graduates sort of went out, and they would found creative writing departments in the little colleges where they went, and then some of those would found other ones. I mean every college has got a creative writing department, so where are the jobs coming from? There are not any jobs out there.
If you want to live your life in a creative way, as an artist, you have to not look back too much. You have to be willing to take whatever you’ve done and whoever you were and throw them away. The more the outside world tries to reinforce an image of you, the harder it is to continue to be an artist, which is why a lot of times, artists have to say, “Bye. I have to go. I’m going crazy and I’m getting out of here.” And they go and hibernate somewhere. Maybe later they re-emerge a little differently. (Steve Jobs)
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