A Quote by James Franco
For April Fools Day, someone played a really cruel joke on me. They stole ALL my mirrors and I had to go hours without seeing myself. I mean, I couldn’t even do my daily affirmations. What kind of world is this? I tell you, it’s artists like myself that really suffer.
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For some reason, my main movie, Lady Sings the Blues, to me really isn't me. I really can let go of Diana Ross when I see the movie. I'm really objective when I'm watching it. I liked that movie so much. That movie was like magic so that when I'm looking at it I'm really not seeing myself, I'm seeing the actress. I'm seeing another person, not the me of me.
Before I think we was emcees, we was more or less narrators too. Because if you look at the early '80s hip hop, it was so much creativity goin' on with artists like then, like Slick Rick, then you had Rakim, and you had these different kind of artists back then. And we was a marble cake of all these artists. So I didn't have a problem with writin' stories because I felt like that was somethin' I loved to do. Even to this day, I really consider myself an entertainer-slash-narrator. I like to talk about stuff that goes on.
Submitting myself for awards feels like a weird kind of horn-blowing that's not comfortable for me. I'm really happy when someone likes my work, but I don't like marketing myself, putting myself on display.
I was angry with him before. I’m not really sure why. Maybe I was just angry that the world had become such a complicated place, that I have never known even a fraction of the truth about it. Or that I allowed myself to grieve for someone who was never really gone, the same way I grieved for my mother all the years I thought she was dead. Tricking someone into grief is one of the cruelest tricks a person can play, and it’s been played on me twice.
At any rate, when I began photographing myself, I could place myself in poses that had not been investigated by other artists. It was an area other artists hadn't touched. Then, I went on from there. I manipulated my image - distorting it, brutalizing it. People thought I was mad, but I felt I had to tell these things. It gave me a kind of excitement.
As far as outlining is concerned, I don't outline humor. I might right down a word or two to remind myself of a punch line I thought of, but the actual structure of a piece I really don't. I don't think it would really help me because for me the process is joke, joke, joke, joke.
I think what 'The Monster' means to me is I find it really hard - like a lot of other people in the world - to really be OK in my own skin. It was a message to myself saying, 'It's OK that you're not perfect.' I'm gonna learn to love myself and accept myself, even though I'm a little crazy.
I mean, acting or stunts, doing my job means doing my job, and I'm loving it. It's fun to put my face in front of the camera; I'm really enjoying the process. But at this point, it's still just not too easy to go around describing myself as an actor. It took me a good long while to get to where I could do it not only without laughing, but without trembling a little bit, which is terrible, but... I mean, I was really hesitant to 100 percent walk down that path, to expose myself to that.
I like to create something that's unique and kind of true to myself and authentic and everything. I don't really like to mirror myself after different artists.
Grateful that it brought me to a point of really seeing myself and really seeing where I was imbalanced, and really seeing it was a message from the Divine that changed my life.
I needed targets, different things to go for on a daily basis—a distance on the treadmill or a weight goal. Without them, I wasn't celebrating myself enough, and I got really good at beating myself up.
I grew up never seeing myself on-screen, and it's really important to me to give people who look like me a chance to see themselves. I want to see myself as the hero of any story. I want to see myself save the world from the bomb.
I don't want to get so lost in thinking about me and talking about me all the time in interviews. It's so nice to unwind and just look at other things and get out of yourself. It's hard to detach myself from myself without neglecting myself. You know what I mean? I don't want to get in to the habit of thinking about my career because when it comes down to it, it's not really that important. I could die tomorrow and the world would go on.
I don't think I've ever let myself go in public - I don't even know what it would mean. I mean, I let myself go on horseback by really galloping until, you know, I think I'm going to die.
One of the biggest things I learned was not to tell myself 'no' before someone else. As someone who's creative, I know the inner critic can be really loud. Early on in my career, I would just listen to it and tell myself 'no.'
It was not the thought that I was so unloved that froze me. I had taught myself to do without love. It was not the thought that God was cruel that froze me. I had taught myself never to expect anything from Him. What froze me was the fact that I had absolutely no reason to move in any direction. What had made me move through so many dead and pointless years was curiosity. Now even that had flickered out.
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