A Quote by James Franco
If you just read the book, you're taking in the narrative, you're taking in the characters, you're understanding it in a certain way. If you make a movie it's really an act of translation.
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Read! When your baby is finally down for the night, pick up a juicy book like Eat, Pray, Love or Pride and Prejudice or my personal favorite,Understanding Sleep Disorders: Narcolepsy and Apnea; A Clinical Study. Taking some time to read each night really taught me how to feign narcolepsy when my husband asked me what my "plan" was for taking down the Christmas tree.
If you tried to make a 'Game of Thrones' movie, you'd have to eliminate two-thirds of the characters, and there'd have to be one storyline, but on TV, you can really get to know the characters in a way that there just isn't time to do in a movie.
I'd say the purest experience for the movie is not to have read the book because I think when you've read the book you're just ticking off boxes. I think that after you see the movie, reading the book is a cool thing. I always say the movie's not meant to replace the book. That's ridiculous. I'm a huge fan of the book.
When you shoot a movie, the camera is always taking, taking, taking and not giving anything back.
I read one book where the characters never said anything; instead, they spent all their time grunting and bleating and hissing and cooing and growling and chirping and... It was like a menagerie in there. After a while, I wasn't even taking in the rest of the book, because that was all I could see: the dialogue tags.
When I write a book, I don't have a plan or an outline. The characters move the action, and the action develops the characters. When I write a book, I become an actor, really, taking the role of the person who is speaking or acting at the time, and so their reactions to whatever they see are my reactions.
The Coen brothers said something that helped me, "When you put the book down, you have a certain feeling, a certain understanding. That's what they need to feel when they walk out of the theater. That's your job, to literally put this book on film, you won't make a good movie, you'll do no service to anyone.
Any narrative, whether it's fiction or not, you have to approach it as though it really happened to you. I think that's the only way to get inside the characters and make the narrative work. It's a storytelling tradition, and I think to come off as genuine then you have to really approach it that way.
Really, we're just taking people and shifting them from taking photos anyway to taking them on 'Instagram'.
Indians can identify with the Indian sensibilities, and rather than taking something from foreign films, it is always good to make a movie which has been enjoyed by a certain audience or in a certain part of India and make it available to a larger audience.
There's a certain joy in taking a dramatic narrative and then adding that element of horror to it.
Taking chances is my job; some will connect and some won't, and certain films find their audiences in different ways. I think 'Spotlight' probably is a better movie because of 'The Cobbler.' You learn with every movie you make: you learn from your mistakes, and you learn from your achievements, and I really do have that approach to filmmaking.
We're at a point nowhere it has to change. We have characters that are not alive that are alive in the book. We have characters that never appeared in the book. We have a lot of events that didn't quite happen the same way in the book. But there's so much in the book, stuff we've passed in the timeline that I really thought was awesome, that I really wanted to get to.
Sociopaths are not inhibited by the notion that it's wrong to be addicted, or wrong to buy illegal drugs. Also, drinking or taking drugs can be a lot of fun, and even if it's not, it can dull that painful boredom for a while. So can certain other things, like taking risks, and particularly if you take a risk-averse person and you can manipulate him or her into taking risks, that's really fun.
I think my sensibilities about storytelling and character just automatically come into play when I'm trying to work on any kind of narrative. For me, it doesn't really matter what the source of the narrative is. I will be looking for ways to make it into an intriguing story with empathetic characters.
I look at all of world mythology and folklore as my toy to play with. There are just so many characters and creatures there I want to put on paper. It's a really exciting thing for me to take material that I really love and put a new coat of paint on it and present it to this audience. And I don't have to make up any of the characters. I can just pull a book of mythology off the shelf and say, "I'll use this guy." I also hate making up names for fantasy characters. I'll just flip through these books and say, "Wow, this is way crazier than anything I could make up".
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