A Quote by James Franco
I think it helps the writers to sell their books, if they announce my attachment, but it doesn't mean that I'm going to make the movies in the next year, or two, or three.
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If you think about TV series, we make 16 one-hour movies a season. You don't get any opportunity like that in movies. I mean, I can't say I'll be able to do 16 movies in the next year, and so that's how I see it.
I didn't have a list of things I should do this year, next year, find a good novel, sign two stars and make a deal - because I think cinema should come from cinema. I never adapted anything. Beautiful books are beautiful books, that's it. I don't know why we should transform them.
There is a discrepancy of somebody going to an art dealer and promising what they'll make for the next three years. And I'm old fashioned that way; I think that every exhibition you make is supposed to put you in the world, that the next exhibition is spinning off of that. It's almost like a riff. And if you know what you're going to do for the next three years, why don't just do it the final point? You would think, in a progressive situation, that the final would be the best.
What I'd really like to do is make maybe two or three movies a year.
The biggest mistake I've seen people make with their careers is, when they're good, after two or three years - and they happen to be smart - they announce that they're going out to start their own firm.
I like to think of my books and the movies of my books living in two separate universes. Each is very nice, but only one is correct - the book. But that doesn't mean you can't enjoy the other versions, and I always do.
I think they're really linked. I think books and movies are going to go a long way together in the future. I think we writers are very important material for directors.
I think books and movies are going to go a long way together in the future. I think we writers are very important material for directors.
We typically make movies that are geared towards 18-year-olds. The people who pay and go to movies more than two or three times are usually under 22, so I get how it works. I don't really want 18-year-old boys to find me that attractive, that kind of would creep me out at this stage.
I know that in order to be considered successful, you're supposed to do two or three movies a year. I only work once every year-and-a-half, sometimes two years. I have children to raise.
I know that in order to be considered successful, youre supposed to do two or three movies a year. I only work once every year-and-a-half, sometimes two years. I have children to raise.
Once we announce the staff here, in the next week, two weeks, whatever it takes, I think everyone's going to be shocked at how good a staff we put together.
Some people are going to be impatient no matter what. If I wrote two books a year, someone out there would be pissed I wasn't writing three.
I don't know if she should worry too much, I mean some of our greatest writers have had movies made of their books, lots of Hemingway novels were turned into movies, it doesn't hurt the book.
I feel that there are two kinds of writers. I feel that there are writers who are storytellers and then there are those just working out their obsessions. I think I'm a combination. I think, at least for these books, I'm going with fear. I've always been interested in fear. Fear is something I've dealt with in life, and I think it's the main motivating factor of everything, almost. From sex to politics.
Love allows your beloved the freedom to be unlike you. Attachment asks for conformity to your needs and desires. Love imposes no demands. Attachment expresses an overwhelming demand - "Make me feel whole." Love expands beyond the limits of two people. Attachment tries to exclude everything but two people.
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