I think that, again, filmmaking is the director's medium in the end, and the best thing a producer can do is stay out of the way and support the director one hundred percent.
There's a way in which filmmaking is a director's medium and television is a writer's medium, so even as TV gets more cinematic, it's still guided by the writer.
In films, you have to follow the director's vision. Filmmaking is a director's medium. So everything happens as per the script and his vision.
The truth is that filmmaking is not really an actor's medium; it's really a director's medium, so all I can really control is the character that I'm playing. So I try to look for characters that are interesting and engaging and different than what I've done before and hopefully it becomes a good movie.
Motion pictures are a director's medium. Broadway is a writer's medium. Television is a producer's medium. I picked a medium I could control.
They say that theater is the actor's medium, television is the writer's medium and film is the director's medium, and it's really true.
Film is a temporal medium as much as it is a visual medium: you're playing with time, and you don't have that ability where someone can pause at home. That's such a fundamental part of what makes filmmaking exciting to me. I don't really have as much interest in any other medium. I just like the control.
My parents were always encouraging of us being creative however we wanted to be. People say, "You didn't get pressured into having to be a director?" But it's hard to be around my dad and not be curious about filmmaking, because he thinks it's the ultimate medium.
Movie making is really, it's a director's medium, it's not even so much an actor's medium.
I think theatre is an actor's medium, while cinema is a director's medium.
I think film and television are really a director's medium, whereas theatre is the actor's medium.
Filmmaking has always involved pairs: a director coupled with a producer, a director alongside an editor... The notion of couples is not foreign to cinema.
Film's a director's medium. Stage an actor's medium.
As an actor, you have to believe in the point of view of a director; as a director, you have to be able to express what your point of view is and invite everybody to join you on that journey. So it's always about opening up.
I've come to a point where I just want to do movies that I just believe in. I have come to an understanding of filmmaking, a new understanding where I believe it's a director's medium. That means working with people that I believe in.
Filmmaking is a creative process so there is a lot of collaboration that happens on set between an actor and director, but at the end of the day, we're there to actualize the director's vision and things happen organically.