A Quote by James Freeman Clarke
Amid all change, we desire something permanent; amid all variety, something stable; amid all progress, some central unity of life; something which deepens as we ascend; which roots itself as we advance; which grows more and more tenacious of the old, while becoming more and more open to the new.
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Amid the moon and the stars, amid the clouds of the night, amid the hills which bordered on the sky with their magnificent silhouette of pointed cedars, amid the speckled patches of the moon, amid the temple buildings that emerged sparkling white out of the surrounding darkness - amid all this, I was intoxicated by the pellucid beauty of Uiko's treachery.
The art of progress is to preserve order amid change, and to preserve change amid order. Life refuses to be embalmed alive. The more prolonged the halt in some unrelieved system of order, the greater the crash of the dead society.
[A] truly humble spirit humbles itself as much amid honors as amid insults, acting like the honeybee which makes its honey equally as well from the dew that falls on the wormwood as from that which falls on the rose.
The existence of a first cause of the universe is a necessity of thought ... Amid the mysteries which become more mysterious the more they are thought about, there will remain the one absolute certainty that we are over in the presence of an Infinite, Eternal Energy from which all things proceed.
What a place to be in is an old library! It seems as though all the souls of all the writers that have bequeathed their labours to these Bodleians were reposing here as in some dormitory, or middle state. I do not want to handle, to profane the leaves, their winding-sheets. I could as soon dislodge a shade. I seem to inhale learning, walking amid their foliage; and the odor of their old moth-scented coverings is fragrant as the first bloom of the sciential apples which grew amid the happy orchard.
Art is only a means to life, to the life more abundant. It is not in itself the life more abundant. It merely points the way, something which is overlooked not only by the public, but very often by the artist himself. In becoming an end it defeats itself.
Men have hitherto treated women like birds which have strayed down to them from the heights; as something more delicate, more fragile, more savage, stranger, sweeter, soulful--but as something which has to be caged up so that it shall not fly away.
In one family, every little plan or question is discussed amid bickering and irritation. In another, without the least effort, every discussion goes on amid perfect peace. This is just as easy, and infinitely more agreeable: only, in many homes it does not happen to be the family habit.
Somewhere in our search for reality we have passed something by, something important that we no longer find amid the bits and pieces of disassembled matter-something vital that we cannot build out of these parts. There is surely something else, some piece of divinity in us, something that was before the elements, and that owes no homage to the sun.
The art of progress is to preserve order amid change and to preserve change amid order.
He who can preserve gentleness amid pains, and peace amid worry multitude of affairs, is almost perfect.
But as for the future, I foresee a world which is more creative, more open, more loving, more ecologically friendly, more honest about its history and progress, and I think a lot of those contributions will be made by young people.
Philip Glass, like [Virginia] Woolf, is more interested in that which continues than he is in that which begins, climaxes, and ends... Glass and Woolf have both broken out of the traditional realm of the story, whether literary or musical, in favor of something more meditative, less neatly delineated, and more true to life. For me, Glass [finds] in three repeated notes something of [a] rapture of sameness.
It is the free alone which never changes, and the unchangeable alone which is free; for change is produced by something exterior to a thing, or within itself, which is more powerful than the surroundings.
There are those to whom a sense of religion has come in storm and tempest; there are those whom it has summoned amid scenes of revelry and idle vanity; there are those, too, who have heard its "still small voice" amid rural leisure and placid retirement. But perhaps the knowledge which causeth not to err is most frequently impressed upon the mind during the season of affliction.
Universities were not meant entirely, or even chiefly, as stepping-stones to an examination, but that there is something else which universities can teach and ought to teach-nay, which I feel quite sure they were originally meant to teach-something that may not have a marketable value before a Board of Examiners, but which has a permanent value for the whole of our life, and that is a real interest in our work, and, more than that, a love of our work, and, more than that, a true joy and happiness in our work.
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