A Quote by James Frey
What someone calls my books is irrelevant to me. I consider them works of art and rules and categories and labels mean nothing.
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There is sometimes a greater judgement shewn in deviating from the rules of art, than in adhering to them; and?there ismore beauty inthe works of a great genius who is ignorant of all the rules of art, than in the works of a little genius, who not only knows but scrupulously observes them.
Ancient art has a specific inner content. At one time, art possessed the same purpose that books do in our day, namely: to preserve and transmit knowledge. In olden days, people did not write books, they incorporated their knowledge into works of art. We would find a great many ideas in the works of ancient art passed down to us, if only we knew how to read them.
Genre categories are irrelevant. I dislike them, but I do not have the casting vote.
I like rules. I like definitions, categories, and writing advice of all sorts. When I'm writing fiction, there are often a lot of things for me to try to get right at once, and rules help me to stay organized. But my favorite rule of all is that, ultimately, there are no rules.
Making art is complicated because the categories are always changing. You just have to make your own art, and whatever categories it falls into will come later.
I will not allow people to impose rules on me that don't make sense to me. And I live and work very much outside the literary world and the literary system. What they think and what they believe and what their rules are mean nothing to me.
The No. 1 quote critics give me is, 'Thom, your work is irrelevant.' Now, that's a fascinating, fascinating comment. Yes, irrelevant to the little subculture, this microculture, of modern art. But here's the point: My art is relevant because it's relevant to 10 million people. That makes me the most relevant artist in this culture.
I have a fear of labels. If someone labels me, I have to respond - do I acknowledge it, reject it, deny it, live up to it, and defy it? Labels can affect your ability to be yourself. If you're not careful, like I wasn't when I was young, that can take a toll on you. You find yourself conforming to everyone else's ideas of who you are.
I'm not one who divides music, dance or art into various categories. Either something works, or it doesn't.
I like the labels because I think they tell my story in a very concise way: gay, Latino. I think the responsibility that comes with accepting labels is that now I get a chance to break stereotypes. It gives me the opportunity to tell the unique stories of what those labels mean.
But all categories of art, idealistic or realistic, surrealistic or constructivist (a new form of idealism) must satisfy a simple test (or they are in no sense works of art): they must persist as objects of contemplation.
If I'm interviewing someone I need to know everything about them - I do these massive spider diagrams. Everything under different categories, and certain questions in other categories.
If someone calls me vain and mean, I know that he trusts me and has something to confess to me.
I think that the essence of being an artist is to break rules. You have to learn rules, and you have to break them, because if you make art only by the rules, then you make very boring art.
This may sound pernickety but I wouldn't describe myself as an evangelical. These are labels, which I don't think are helpful. If I was going to use any label it would be Christian, and if you push me any further I'd say I'm an Anglican - that's the family of the Church that I belong to. There's nothing wrong with any of the other labels, but if you have any of them I want them all. If you're going to say, 'I'm Catholic, liberal, evangelical...' let's have them all.
I don't care if someone makes fun of me, but if someone calls me a mean person or something, I reply. If you don't like me in makeup, that's OK. But I would like people to like me as a person.
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