A Quote by James Frey
There's something, I think, that gets lost when we write something - something gets lost in the translation. So I speak everything out, and it's more important how it sounds. And applying that to more formal aspects of writing.
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Having been borne across the world, we are translated men. It is normally supposed that something always gets lost in translation; I cling, obstinately, to the notion that something can also be gained.
When you think intensely and beautifully, something happens. That something is called poetry. If you think that way and speak at the same time, poetry gets in your mouth. If people hear you, it gets in their ears. If you think that way and write at the same time, then poetry gets written. But poetry exists in any case. The question is only: are you going to take part, and if so, how?
I am working in Paris . I cannot for a single day get the thought out of my head that there probably exists something essential, some immutable reality, and now that I have lost everything else (thank God, it gets lost all on its own) I am trying to preserve this and, what is more, not to be content. In a word: I am working.
I write in a slangy colloquial speech that has not been common in the Israeli tradition of writing, and that is one of the things that gets lost a little in translation.
I love working with the actors eye-to-eye. I think something gets lost in translation, not only through a monitor, but when you leave the area where the actual scene is taking place.
One of the producers, Wonjo, was an amazing interpreter. I don't think we really knew how it was going to work at the beginning. Yet it was something that a couple of days into it seemed so seamless and it wasn't something that we noticed or thought about. A couple of times I cornered him and forced him to speak English but we didn't speak much English at all. That said, I don't think anything was ever lost in translation. It was all very easy.
One mistake with beginners in writing is, that they think it important to spin out something long. It is a great deal better not to write more than a page or two, unless you have something to say, and can write it correctly.
Money lost, something lost. Honor lost, much lost. Courage lost, everything lost-better you were never born
I'm more interested in moving toward writing stories - thinking about the graphic novel form, and just something more long-form. I did a lot of literary translation in college. Translation is an art. But for sure writing has always been a part of how I think through my ideas.
I try to make the voice in my head come out onto the page. I try to make it much more conversational than other writing. I speak everything, so if something sounds right I write it. It's more about sound and the rhythm of speech than written language.
One, something emotional has to be at stake. There has to be something important for me that I'm writing about. And then two, I have to have a formal idea. Something has to be being worked out in poetry.
I want to avoid becoming too styled, too 'done' and too generic. You see people as they go through their career, and they just become more and more like everyone else. They start out with something individual about them, but it gets lost.
I want to avoid becoming too styled, too ‘done’ and too generic. You see people as they go through their career, and they just become more and more like everyone else. They start out with something individual about them, but it gets lost.
I think its just important to do something. Some sort of exercise. I get asked this a lot. It's important to do something you enjoy, and something that is useful for yourself. You get far more enjoyment out of something you like to do, so you're more likely to stick with it.
I'm genuinely peaceful and positive. I feel more grounded and connected with everything - friends, family. And I think I've changed the way I deal with stuff recently; I'm trying to think of everything in a more positive way because if something gets me down, it'll really gets me down. The thing I wish I could do more of is train. It's the one thing I do that doesn't require any emotion.
I think it's a lot more interesting to watch a character go through a transition in a movie. You love her and then you almost want to not like her because she gets mean and gets 'lost' and everything.
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