A Quote by James Galway

Yes indeed I have gained a lot out of playing scales and etudes. — © James Galway
Yes indeed I have gained a lot out of playing scales and etudes.
I've learnt new scales through playing different types of music, like Indian raga scales, gipsy scales and harmonically-based jazz scales.
The only work that can be compared to Chopin's Etudes, innovatively, where every note is essential and one becomes completely exposed, is the Brahms-Paganini variations. These are etudes - not as interesting musically as, say, the Brahms-Handel - but they are incredible.
And will you succeed? Yes indeed, yes indeed! Ninety-eight and three-quarters percent guaranteed!
I missed out on my teenage years. I led a sheltered life. I was practicing scales instead of going out there and playing football.
I had been playing since I was 2 years old, never remembering a life without music, always playing everything naturally and mostly by ear, and all the grownups wanted were more scales and drudgery out of me.
The scales of justice often, in my head, are unbalanced. And so my job is to try to balance out those scales.
I practice all the scales. Everyone should know lots of scales. Actually, I feel there are only scales. What is a chord, if not the notes of a scale hooked together?
Before I got to Juilliard I remember that I had learned the first few bars to all the Sachse etudes in several different keys because I knew what was coming. So in the first year he was throwing these Sachse etudes at me and I would knock off the first eight bars and fly right through it. He would say, 'Alright, that's good enough.' But, in my third year, he said 'Get out the Sachse book.' I couldn't understand why. So I pull it out and he said, 'Here, start in the middle.' I was in trouble! He said, 'Hey Balm, I took you for a guy who knows how to transpose-you're nothing but a bugler!'
I missed out on my teenage years. I led a sheltered life. I was practicing scales instead of playing football.
I've gained a lot of experience playing with some of the top players in the world from different countries.
Out of sheer respect for the people I look up to in the industry, I do say 'yes' to projects at times. It helps me learn a lot. Also, if I am playing a small role in a good, content-driven film, I say yes to it. But there have been times when I said 'no' to films because I was not convinced with the content.
A lot of people say I've missed out on a lot because I started acting at such a young age. What's so obvious to me is that I actually was really lucky. I gained a lot and I got a head start in what I wanted to do in life. A lot of people in their late 20s, early 30s are just beginning to figure out where they want to go.
I just felt like reflecting on my junior year, when I didn't know what I was doing, I left a lot of stuff out there. Actually, I gained close to 700 yards more and I took myself out of a lot of games.
Most American Hispanics don't belong to one race, either. I keep telling kids that, when filling out forms, they should put "yes" to everything - yes, I am Chinese; yes, I am African; yes, I am white; yes, I am a Pacific Islander; yes, yes, yes - just to befuddle the bureaucrats who think we live separately from one another.
The AAC at Royal Melbourne was a wonderful memory for me. I had a slightly disappointing finish, but I gained a lot of experience by playing in the last group.
Don't get stuck in a rut. If you started yesterday's practice playing arpeggios, start today's with scales. Also, try to make a song out of what you're practicing to help break the tedium.
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