A Quote by James Galway
You can sightread better if you know your scales and arpeggios.
Related Quotes
The concept is basically; that the pieces we know and love are made up of scales, arpeggios, and the like.
I practice more than ever ... mostly scales and arpeggios ... and anything I can't do.
By the time I got to the Paris Conservatoire I was very good at the scales and arpeggios.
Before you can apply chromatic ideas to scales and arpeggios, you have to get the chromatic scale itself under your fingers. You should learn it up and down the neck, and become comfortable with the fingerings.
I practice all the scales. Everyone should know lots of scales. Actually, I feel there are only scales. What is a chord, if not the notes of a scale hooked together?
Don't get stuck in a rut. If you started yesterday's practice playing arpeggios, start today's with scales. Also, try to make a song out of what you're practicing to help break the tedium.
I've learnt new scales through playing different types of music, like Indian raga scales, gipsy scales and harmonically-based jazz scales.
She did not suddenly start being disagreeable this afternoon, she was so good at it, she had evidently practised whatever are the scales and arpeggios of rudeness every day of her life.
The scales of justice often, in my head, are unbalanced. And so my job is to try to balance out those scales.
Everything that creates itself upon the backs of smaller scales will by those same scales be consumed.
Get digital scales because, for baking, balance scales just aren't accurate enough: it's all in the weighing up.
People in Michigan are good at separating fact from fiction. They know, better than most of the country, what happens to the economy and jobs when the scales are tipped too far in favor of one group over another.
I'm not technical. When I listen to music, I gravitate more toward the sonic aspect of it. The technical stuff of it, I get bored with it. These long solos? OK, already. You know your scales, big deal. I know it, too, but I don't want to do that.
We spend our lives on a thin slice between the unimaginably small scales of the atoms that compose us and the infinitely large scales of galaxies.
Y'know, you can sit in a room, practise all day, learn your scales and blaze blues riffs: it's easy to hide behind that. But I think with the slide, it's a little bit tougher.
Eric Clapton's scales - when he comes off a high note and it's time for a refrain or a little bit of a rest, he peals off scales going downwards that are so good it's unbelievable.
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