A Quote by James Gandolfini
Actors will say, 'My character wouldn't say that.' Who said it was your character?
Related Quotes
We shouldn't confuse singers and performers with actors. Actors will say, "My character this, and my character that." Like beating a dead horse. Who cares about the character? Just get up and act. You don't have to explain it to me.
'My character wouldn't do that.' That was always my favorite thing people say: 'My character wouldn't do that.' I said, 'Well, it says right here in this script your character does that.'
Directors are always changing things at the last minute. Actors will do a scene, and the director will say, ‘Okay, that was perfect, but this time, Bob, instead of saying “What’s for dinner?” you say, “Wait a minute! Benzene is actually a hydrocarbon!” And say it with a Norwegian accent. Also, we think maybe your character should have no arms.
When you are writing, you have to love all your characters. If you're writing something from a minor character's point of view, you really need to stop and say the purpose of this character isn't to be somebody's sidekick or to come in and put the horse in the stable. The purpose of this character is you're getting a little window into that character's life and that character's day. You have to write them as if they're not a minor character, because they do have their own things going on.
Where does a character come from? Because a character, at the end of the day, a character will be the combination of the writing of the character, the voicing of the character, the personality of the character, and what the character looks like.
I love what I do. And in the true sense, from my training, I try to create a character each time. It is something I do. But I don't want that term to limit what I can do. I prefer people to say to me, 'You're one of my favorite actors,' rather than 'You're one of my favorite character actors.' It sounds like a slam.
Once, during an interview in front of my wife, I was asked, "Are you one of those actors who brings your character home? Do you stay in character?" I said, "No, not really. I don't do that," and she started laughing. I asked her why. She said, "Well, you might think you don't bring characters home, but you do." So, while I don't feel like a character is lingering, it probably is.
I don't understand when people say character actors. You either have the protagonist or the antagonist and I've played both. It's an actor's role to play a character. Does that mean that main stream heroes and heroines are characterless?
What is the character trying to say? Why? Be as specific as you can, using sense images that evoke something about the character. Try using the character's senses, even if the character is you.
I think the idea is to try and understand everything about the characters and where the character is coming from, from their point of view, why they say what they do. And not, 'Oh, but I would never say that. Why does the character say that?' But then making it as personal as possible.
Each instrument has something to say to you. It's got its own character. Each horn has its own character and will say to you certain things. If you violate that, it's almost a sacrilege!
I have never been one of those actors who say, 'Oh, my character wouldn't do this,' or 'My character never wears an orange shirt,' or any of the number of inane things I've heard on movie sets throughout my career.
When you are writing a character, what the character says is obviously crucial. But what the character doesn't say is absolutely as important as his words.
Character is the starting point from which we go on. When I say a man has character, I mean that when you go to that man and say, 'What are the facts in this case?' he will tell you the truth, justly, truly, and wisely as he knows, with the minimum of exhibitionism and the maximum of devotion to the common cause.
I think I'm drawn to more villain-type characters, because it's so cool to get to say all the things you want to say. In Hollywood, you get to this position where you have to bite your tongue so much. You take all your experiences of not being able to say what you really want to say, and channel that through your character.
My brother said that at Eton, students were told caning builds character. I suppose girls are caned less because we aren't thought to have much character." "Which is the sort of thing males say when they don't know any women.
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