A Quote by James Gandolfini
I'm not a big, three-hour-play, Ibsen-revival kind of man.
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Prayer is the burden of revival; repentance is the breakthrough of revival; evangelism is the blessing of revival; holiness is the bounty of revival.
I've come to feel that if I can't make something happen in under an hour and a half, it's not going to happen in a compelling way in a three-hour play.
Study the history of revival. God has always sent revival in the darkest days. Oh, for a mighty, sweeping revival today!
We should not say that one man's hour is worth another man's hour, but rather that one man during an hour is worth just as much as another man during an hour. Time is everything, man is nothing: he is at the most time's carcass.
The purpose of revival is to fire the church with divine energy for her divine assignment. Revival will tear us away from our temporal pursuits to give ourselves for what really matters.Revival will not occur without prayer. Prevailing prayer is always antecedent to revival.
I'm a big guy: I look like a linebacker, you know? But no one cares, really, that I'm educated. I have a copy of 'Fire Next Time' by James Baldwin in my bag. I have an Ibsen play in there, too. I have to walk through this world with that duality all the time, that I live in two different worlds.
The title [of the album 'The Big Revival']alone fit what I was feeling. It defined what I was going through. That year off was a time to revive, to reset, to reclaim, to revitalize and to re-focus. It was a revival of how I made music, how I presented it and my connection with the fans.
Since I was three I've been playing the piano. I've been onstage. My mother is an Evangelist and I used to play the piano at her revival meetings.
When I saw 'Legally Blonde' on Broadway, I rang my agent and said 'I want to be seen for this,' but the rest weren't big choices, really. 'Hedda Gabler' was a phone call offering it to me, and as I've said before quite embarrassingly, I didn't know the play, so I didn't sit there thinking 'I would now like to tackle Ibsen.'
I see myself as no color. I can play the role of a man. I can paint my face white if I want to and play the role of white. I can play a green, I can be a purple. I think I have that kind of frame and that kind of attitude where I can play an animal.
All revival begins, and continues, in the prayer meeting. Some have also called prayer the "great fruit of revival." In times of revival, thousands may be found on their knees for hours, lifting up their heartfelt cries, with thanksgiving, to heaven.
Monotheism at Sinai, primitive Christianity, messianic socialism: these are the three supreme moments in which Western culture is presented with what Ibsen termed "the claims of the ideal." These are the three stages, profoundly interrelated, through which Western consciousness is forced to experience the blackmail of transcendence.
In my dreams is a country where the State is the Church and the Church the people: three in one and one in three. It is a commonwealth in which work is play and play is life: three in one and one in three. It is a temple in which the priest is the worshiper and the worshiper the worshipped: three in one and one in three. It is a godhead in which all life is human and all humanity divine: three in one and one in three.
So, through all that early professional career I would occasionally do a musical, a pantomime or a play with songs. The next stop would be a Shakespeare, or an Ibsen, or a play by a brand new writer who had never done anything in the theater before.
Even though 'SmackDown' has been kind of like the Internet darling, I believe that if they had three hours instead of two, they would find out that it's tough to be a darling when you've got that massive three-hour anchor around your neck.
When I was going to high school, in the high school band we would play these kind of hour-long concerts for our parents. All the parents would come to the gymnasium, and the band would play an hour-long kind of orchestra piece. 'Synchestra' is supposed to be similar, like a high school band orchestra piece.
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