A Quote by James Garner

We know what the surface of the moon is better than we know what the surface of the sea floor is. — © James Garner
We know what the surface of the moon is better than we know what the surface of the sea floor is.
Usually when I draw, I try to be in a contemplative mood. I try to keep my mind as empty, vacant and tranquil as possible. The outer mind is like the surface of the sea. On the surface, the sea is full of waves and surges; it is all restlessness. But when we dive deep below, the same sea is all peace, calmness and quiet, and there we find the source of creativity.
You can't get at the thing itself, the real nature of the sitter, by stripping away the surface. You can only get beyond the surface by working with the surface. All that you can do is manipulate that surface - gesture, costume, expression - radically and correctly.
It hadn't really percolated through my brain that I was going to see real, live TV from the surface of the Moon, and boy, oh, boy, had that Saturn V launch been exciting! And then, there it was - late at night, sitting up, watching, and there was Neil Armstrong actually standing on the surface of the Moon.
Titan has no liquid water on its surface, and any liquid water beneath its surface is inaccessible to us, as far as we know. It has hydrocarbon lakes, but we don't know of any organisms that could live in those, not at the temperatures that we find on Titan. Any reference to possible life in lakes on the surface of Titan is pure speculation.
A human being creates complexity by writing a novel on the surface of paper; a weather system creates complexity by writing waves on the surface of an ocean. What is the difference between the information carried in the words of a novel and the information carried on the waves of the sea? Listen, and the waves will speak, and someday, I tell you, you will write your thoughts on the surface of the sea.
Inside that darkness, i saw rain falling on the sea. Rain softly falling on a vast sea, with no one there to see it. The rain strikes the surface of the sea, yet even the fish don't know it is raining.
People don't understand that the feel of the surface is so important for a footballer. The ball travels on the surface; our feet move on the surface - all of that goes into how the game is actually played.
It is only after you have come to know the surface of things ... that you can venture to seek what is underneath. But the surface of things is inexhaustible.
I would like to start by emphasizing the importance of surfaces. It is at a surface where many of our most interesting and useful phenomena occur. We live for example on the surface of a planet. It is at a surface where the catalysis of chemical reactions occur. It is essentially at a surface of a plant that sunlight is converted to a sugar. In electronics, most if not all active circuit elements involve non-equilibrium phenomena occurring at surfaces. Much of biology is concerned with reactions at a surface.
Now, the world is more than it seems to be. You know this, of course, because you read stories. You understand that there is the surface and then there are all the things that glimmer and shift underneath it. And you know that not everyone believes in those things, that there are people—a great many people—who believe the world cannot be any more than what they can see with their eyes. But we know better.
All the Chinese have to do is fly around the Moon and back, and they'll appear to have won the return to the Moon with humans. They could put one person on the surface of the Moon for one day and he'd be a national hero.
Surface is a modernist concept. What surface does is to encourage one to see the painting as object rather than as a window on the world.
As far as Europa goes, Europa very likely has an ocean under its surface. In that regard, Europa and Enceladus are on equal par. But on Europa, the ocean is at least several kilometers under the surface, and the moon is bathed in an intense radiation field.
Sometimes, properties of a fixed hyperbolic surface can be better understood by studying the moduli space that parameterises all hyperbolic structures on a given topological surface.
There's plenty going on that's substantial and transformative, beneficial and authentic. Just because somebody is in the media, it doesn't mean they're bad. It may mean they're the best, and occasionally you know the cream rises to the surface, but not always everything on the surface is cream.
Standing on the Moon looking back at Earth - this lovely place you just came from - you see all the colours, and you know what they represent. Having left the water planet, with all that water brings to Earth in terms of colour and abudance life, the absence of water and atmosphere on the desolate surface of the Moon gives rise to a stark contrast.
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