A Quote by James Geary

A simile is just a metaphor with the scaffolding still up. — © James Geary
A simile is just a metaphor with the scaffolding still up.
I'll buy metaphor, but simile's a cop-out used by scaredycats who won't commit to anything. Simile's for cowards.
A metaphor is like a simile.
I went out on a date with Simile. I don't know what I metaphor.
Ray Bradbury taught me the importance of metaphor and simile and poetic style.
He had gone beyond the world of metaphor and simile into the place of things that are, and it was changing him.
Never use a metaphor, simile, or other figure of speech which you are used to seeing in print.
Death destroys the body, as the scaffolding is destroyed after the building is up and finished. And he whose building is up rejoices at the destruction of the scaffolding and of the body.
The simile sets two ideas side by side; in the metaphor they become superimposed.
One thing that literature would be greatly the better for Would be a more restricted employment by authors of simile and>metaphor.
The simile has to match the tone of its surroundings and has to be like a little joke. Writing a simile that isn't funny on some level is quite hard.
The poet, however, uses these two crude, primitive, archaic forms of thought (simile and metaphor) in the most uninhibited way, because his job is not to describe nature, but to show you a world completely absorbed and possessed by the human mind.
When you're looking around for metaphor or simile, I do think it's often helpful to keep inside the world of the book, to gather your comparisons from the stuff particular to that world - be they king salmon and aviation fuel, or pot roasts and spatulas.
If you're gonna use simile, analogy, metaphor, be descriptive and have some flowery adjectives and a few odd nouns and some engaging bits of dialogue or sentiment, then you're sort of writing a novel, really. But rock lyrics are not really known for their sophistication.
Human beings, you see, do absolutely two primary things. We see like and unlike. Like becomes, in literature, simile and metaphor. Unlike becomes uniqueness and difference, from which I believe, the novel is born.
I use a lot of similes and metaphors when I work, simply because it's my best way of describing a building or a scene. I'm terrible at describing landscapes - trees, buildings. The inanimate things don't interest me: I always think, "Oh, no, here comes another building I have to describe." So I usually use a simile or metaphor.
In mainstream literature, a trope is a figure of speech: metaphor, simile, irony, or the like. Words used other than literally. In SF, a trope - at least as I understand the usage - is more: science used other than literally.
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