A Quote by James Goodnight

There's this creative thing in me that wants to have my work used - like the author of a book who wants it read. — © James Goodnight
There's this creative thing in me that wants to have my work used - like the author of a book who wants it read.
There's always a slight tension when you sell a book to Hollywood, especially a nonfiction book. The author wants his story told intact; the nonfiction author wants it told accurately.
I'll tell you - there's no author that wants to give his mother an e-book of his new book. I think he wants to present her with - or she - wants to present her with something beautiful that he or she created.
Nobody wants to read a 600 page book in which the author is fabulous throughout.
There is a great deal of difference between an eager man who wants to read a book and the tired man who wants a book to read.
I often think, no one wants to read this. No one wants to hear this. My own work makes me cringe sometimes, cringe in a "there's nothing I can do because it had to come out like this" kind of way.
One of the tools I like a lot is the Just Like Me practice. It's one of the empathy practices where we put ourselves in the other's shoes. Rather than get caught up in the difference in the ideologies, we actually come back to the fundamental idea: just like me, this person on the opposite political spectrum wants to be happy, wants to be safe, wants to thrive, wants to be healthy, wants to find peace of mind.
The thing is, everybody wants to be famous. Everybody wants to be successful. Everybody wants to be that dude, but not everybody wants to do the work for it. And I think that's probably one of the reasons why there's so many juniors and only a couple that make it. Because I really wanted it. I wanted it real bad.
I’m reminded of a book my father used to read me,” she said. “A bunch of elves and things get into a huge war over a piece of jewelry that everybody wants but nobody can wear.
I’ve always believed that as an author, I do 50% of the work of storytelling, and the reader does the other 50%. There’s no way I can control the story you tell yourself from my book. Your own experiences, preferences, prejudices, mood at the moment, current events in your life, needs and wants influence how you read my every word.
I've always said that Watership Down is not a book for children. I say: it's a book, and anyone who wants to read it can read it.
Being published is not a necessary validation or a path everyone wants to take with their work. Writing—and finishing—a novel is a great thing in itself, whether or not the book is published, or becomes widely-read or not.
If a book really wants the patronage of a great name, it is a bad book; and if it be a good book, it wants it not.
People are used to streaming and binge-watching. When they see an author they like, if there's only one book, even if they like the book, they're going to forget about you. The way to keep you in their mind and to get you to become a habit for these readers is you have to have a lot of product out there for them to read.
All any feeling wants is to be welcomed with tenderness. It wants room to unfold. It wants to relax and tell its story. It wants to dissolve like a thousand writhing snakes that with a flick of kindness become harmless strands of rope.
Dorian used to watch you like a starving man who wants meat. Now he looks at you like he wants seconds.
If somebody wants to book Alec Baldwin on one of our shows, and he wants to come on and talk to our people and say what he wants, I don't care. We would question him on his choice of words.
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