A Quote by James Gray

I was going to Studio 54 when I was 12 years old. It's true. It's crazy. — © James Gray
I was going to Studio 54 when I was 12 years old. It's true. It's crazy.
I was 23 years old. It was a wild time. I was covering everything that blew up - blackouts, Studio 54, son of Sam killer, and all of that stuff.
I haven't changed my views much since I was about 12, really, I've just got a 12-year-old mentality.When I was in school I had a brother who was into Kerouac and he gave me On The Road to read when I was 12 years old. That's still been a big influence.
Diana Vreeland was "the Empress," the avatar of the age. An old name or old money were not enough to get you into Studio 54 - or Interview magazine, for that matter. You had to have a lot of something else, like looks or brains or wit or fabulous clothes.
I wrote my first song when I was 54 years old.
I went to work at 11 years old. I became governor. It's not a big deal. Work doesn't hurt anybody. I'm all for not allowing a 12-year-old to work 40 hours. But a 12-year-old working eight to 10 hours a week or a 14-year-old working 12 to 15 hours a week is not bad.
I was the kid who at 12 years old went to NBC studio tours, and I would just answer all these trivia questions on the tour that the pages would ask about 'SNL'. I was that kid.
Obviously from 12-years-old to 16-years-old, your body changes and that's nothing to be embarrassed about, but boy I was!
I was practically born and raised at 20th Century Fox studio, started to work there selling papers when I was around seven years old, and every summer vacation from school I would work in a various department at the studio. So I was an old-timer when I was 15.
I was never much of a club guy. Even when I was in New York in the early eighties, I never was once in Studio 54. It was too noisy. My version of those years mostly took place at my house.
When you're 12, a 12-year-old girl is so out of your league, because they have no interest in you. You're like 10 years younger. You're 2 to them.
My advice is this. For Christ's sake, don't write a book that is suitable for a kid of 12 years old, because the kids who read who are 12 years old are reading books for adults. I read all of the James Bond books when I was about 11, which was approximately the right time to read James Bond books.
I was a bit of a mother hen at Studio 54.
I grew up in an artistic family where everyone was doing something in one field of the arts or another. I was I think 12 years old when I did my first acting at the Actor's Studio and James Dean once said that the only reason to become and actor is because you have to. I think that you know from a young age if that is a certain rush that you're going to need to satisfy you and to make you feel fulfilled - and if you don't then you shouldn't do it. It's just too brutal of a business most of the time.
When I saw 'Bully' and I was 11 or 12 years old I thought I could do this; I could make movies. Larry Clark's cinematography is very raw. It's also based on a true story. I think a lot of the movies I like are based on true stories.
We used to go to Studio 54 - an amazing place.
When you think mid-seventies, you think of Studio 54, but there was a whole other thing going on. Where I was, it was more deep-woods preppy. Real-guy preppy.
This site uses cookies to ensure you get the best experience. More info...
Got it!