A Quote by James Haskell

Wherever I've played, I only affect the breakdowns that are in front of me. — © James Haskell
Wherever I've played, I only affect the breakdowns that are in front of me.
I try not to let the material aspects of different cultures distract me from getting to the essence of the person I'm photographing. Whether it's a man or a woman. Wherever they're from, I try not to let social status or cultural background affect me or affect the person. I strip all those things away to get down to the essence of the human being, the person.
Breakdowns come, and breakdowns go.
If the glass there in front of me astounds me more than all the glasses I've seen in painting, and if I even think that the greatest architectural wonder of the world couldn't affect me more than this glass, it's really not worth while going to the Indies to see some temple or other when I have as much and more right in front of me.
But wherever I was I played baseball. That's all I lived for. When I sat up on the front seat of that covered wagon next to my father, I was wearing a baseball glove. That showed anybody who was interested where I wanted to go.
Nobody's perfect, but I hold myself accountable. I think about the choices I make because they not only affect me, they affect all of my fans and my family.
Yeah, there were (defensive) breakdowns but there were also variables into having those breakdowns. I think a lot of the mistakes that we made are definitely preventable, but they're a lapse of mental awareness and that happens with fatigue. I'm not trying to make excuses. This is just the reality of the situation.
When I played in Europe, wherever I played, players knew in advance about their schedule, when was the time to practice, to play and to rest.
It's kind of hard get outside of your own frame of reference. To one degree or another, we all go through our breakdowns and we can recognize our lives as a path to awakening or not. We can take our breakdowns as a way to sensitize us or as an excuse to blind and dull ourselves.
I can only speak for myself but for me imagination and invention cannot generate something more important, more beautiful and more terrifying than the common object, amplified by the attention that we give it. An object alone, in front of me who is alone, exactly in front of me just as I would like to have in front of me someone who really interests me, in a good light to better observe it.
I want to come and help the team. That's always been the same for me wherever I have played.
I don't write songs that don't affect me on some level, because I figure if I am not moved by it, if its not something that I have a longing to celebrate or to be reminded of, if it doesn't affect me, then how can I possibly think it is going to affect somebody else. My touchstone is write something that matters.
I would hope that wherever Sheryl Crow, Paula Cole, and Fiona get played is where I'd be played. And right now that seems to be the modern Adult Contemporary market.
The guys that I played with, Hollis Dixon and the Keynotes - just about all the great musicians from Muscle Shoals.We played fraternity parties and kids' dances. They were called "lead outs" for kids in high school. We played wherever we could - in the down time when you weren't recording, people had to make money.
There's a lot of pressure that comes with being a NFL quarterback wherever you're at, and I'm ready to tackle any situation that's in front of me.
Very rarely do firearms restrictions affect criminals. They really only affect law-abiding citizens.
I played shows in front of like 25, 50 people, and it's a lot harder to do your thing in front of a crowd that's small.
This site uses cookies to ensure you get the best experience. More info...
Got it!