A Quote by James Henry Hammond
The moment this House undertakes to legislate upon this subject slavery, it dissolves the Union. Should it be my fortune to have a seat upon this floor, I will abandon it the instant the first decisive step is taken looking towards legislation of this subject. I will go home to preach, and if I can, practice, disunion, and civil war, if needs be. A revolution must ensue, and this republic sink in blood.
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Disunion and civil war are at hand; and yet I fear disunion and war less than compromise. We can recover from them. The free States alone, if we must go on alone, will make a glorious nation.
Disunion and civil war are at hand; and yet I fear disunion and war less than compromise. We can recover from them. The free States alone, if we must go on alone, will make a glorious nation. Twenty millions in the temperate zone, stretching from the Atlantic to the Pacific, full of vigor, industry, inventive genius, educated, and moral; increasing by immigration rapidly, and, above all, free--all free--will form a confederacy of twenty States scarcely inferior in real power to the unfortunate Union of thirty-three States which we had on the first of November.
Strictly speaking, one cannot legislate love, but what one can do is legislate fairness and justice. If legislation does not prohibit our living side by side, sooner or later your child will fall on the pavement and I'll be the one to pick her up. Or one of my children will not be able to get into the house and you'll have to say, "Stop here until your mom comes here." Legislation affords us the chance to see if we might love each other.
Now the first step has to be taken, the step towards democracy. This step is full of risks, and requires trust on all sides. We don't know where it will lead. But if we just stand still, we will have no chance of escaping the violence.
An artist must first of all respond to his subject, he must be filled with emotion toward that subject and then he must make his technique so sincere, so translucent that it may be forgotten, the value of the subject shining through it.
What it is to see, what liberties are taken when one looks, where looking leaves one vis-a-vis one's subject, or how far looking ultimately becomes one's subject - these are important questions.
We have far more options for black Americans to tell stories outside of slavery, but whenever it comes to slavery, it's an uncomfortable subject. Why? Because it's the most unresolved subject in American history.
If there is any method in the way I take pictures, I believe it lies in this: See the subject first. Do not try to force it to be a picture of this, that or the other thing. Stand apart from it. Then something will happen. The subject will reveal itself.
Approaching subject matter to photograph is like meeting a person and beginning a conversation. How does one know ahead of time where that will lead, what the subject matter will be, how intimate it will become, how long the potential relationship will last? Certainly, a sense of curiosity and a willingness to be patient to allow the subject matter to reveal itself are important elements in this process.
All that rejection from Republicans has a bit of a racist element. It was very necessary to have a black president, and it's been a great thing. It will help, in the end, to ease the trauma of slavery and civil war. The war against slavery cost almost 800,000 American lives - that's how strongly they felt about it. And it's not going to go away in a century.
Cartier-Bresson has said that photography seizes a 'decisive moment', that's true except that it shouldn't be taken too narrowly...does my picture of a cobweb in the rain represent a decisive moment? The exposure time was probably three or four minutes. That's a pretty long moment. I would say the decisive moment in that case was the moment in which I saw this thing and decided I wanted to photograph it.
No 'we' should be taken for granted when the subject is looking at other people's pain.
[On John Brown:] The poor wretch is hanged, but from his grave a root of bitterness will spring, the fruit of which at no distant day may be disunion and civil war.
I have found that you have only to take that one step toward the gods, and they will then take ten steps toward you. That step, the heroic first step of the journey, is out of, or over the edge of, your boundaries, and it often must be taken before you know that you will.
Ultimately, we are not subject to the conditions that confront us; rather, these conditions are subject to our decision ... we must decide whether we will face up or give in, whether or not we will let ourselves be determined by the conditions.
Don’t go searching for a subject, let your subject find you. You can’t rush inspiration. … Once your subject finds you, it’s like falling in love. It will be your constant companion. Shadowing you, peeping in your windows, calling you at all hours to leave messages like, Only you understand me.
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