A Quote by James Hetfield
When you're an actor and you walk into a theatre where your movie is playing, you're kinda proud. "Look at my skill!"
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I believe if you go to a movie theatre, and you see something you think is incredible, if you walk out of the theatre and there was a bin in the lobby of DVDs of the film you just watched, you would buy four of them - one for you and three for your friends.
Being an actor in TV or movies is different. A film or TV actor, if put in theatre, won't know certain dimensions, while a theatre actor won't know certain things when he comes before the camera. So I think a film actor can learn emoting from this theatre counterpart, while the theatre actor can learn about camera techniques from the film actor.
Asim has done English theatre with Naseeruddin Shah and his group, Hindi theatre with Makarand Deshpande, and Marathi theatre with me. He is a hardworking actor - I am not saying this just because he is my son but as an actor and spectator.
My advice to any actor who's playing, quote, unquote, "extra" to think of it more like Stanislavski did. It's not a small part. You are the lead in the movie, in your own movie.
Teenagers all think their life is a movie. If you break up with someone or you have a fight, you walk around with movie scores playing in your head. You sort of see yourself suffering as you're suffering. There's a lot of melodrama attached to the real events of your life.
It was a movie [The Railway Man] that stayed with me a long time. It's still one of the things I'm most proud of. I got to know the man that I was playing and unfortunately he passed away just before the movie came out. It's one that meant a huge amount to me, and one that I'm particularly proud of.
Look out how you use proud words. When you let proud words go, it is not easy to call them back. They wear long boots, hard boots; they walk off proud; they can't hear you calling. Look out how you use proud words.
I'm not like, 'I act.' I'm like, 'I'm kinda floating. I kinda did this movie; it was kinda like going to camp, and I don't really know what any of this means!'
I got into theatre kinda late by some standards, and I sorta fell into it. I had broken my ankle playing football, and my high school was doing a production of 'Barnum.' I could juggle, and my mom really wanted to get me out of the house. She said since I wasn't playing football and couldn't wrestle, maybe I should audition for the show.
It is in the irony of things that the theatre should be the most dangerous place for the actor. But, then, after all, the world is the worst possible place, the most corrupting place, for the human soul. And just as there is no escape from the world, which follows us into the very heart of the desert, so the actor cannot escape the theatre. And the actor who is a dreamer need not. All of us can only strive to remain uncontaminated. In the world we must be unworldly, in the theatre the actor must be untheatrical.
It's a really good format to have, to go back to theatre and build yourself as an actor. I think it's a great skill to go from screen to stage.
Pass the popcorn, please. Life is a film, theatre, a theatre of the soul. We play different roles on different stages. At death, we walk offstage. At birth, we walk onstage.
The system did not want me to make 'Go.' And I sort of stood up to the system and made the movie I wanted to make, and the fact that I did that and I'm proud of the movie means I'm really proud of myself when I look back on that.
Theatre is an actor's medium. An actor has little control over a film. Which is why most actors who have done theatre, and then come to films find the former more creatively satisfying.
I mean there’s a certain finality about a movie, when it’s done it’s done – that raised eyebrow in that moment will always be that raised eyebrow. Whereas a play only lives as a blueprint for a performance on any given night. There’s a reason you can eat popcorn and watch a movie and you can’t do that in the theatre. Theatre you have to lean in, you have to tune your ear to the stage and participateI respond to heat. And blood. And humanity. The cold experience is not for me. I’ve always enjoyed all the real people in a room together in the theatre.
Life beats down and crushes our souls and theatre reminds us that we have one. At least the type of theatre that I'm interested in; that is, theatre that moves an audience. You have the opportunity to literally impact the lives of people if they work on material that has integrity. But today, most actors simply want to be famous. Well, being an actor was never supposed to be about fame and money. Being an actor is a religious calling because you've been given the ability, the gift to inspire humanity. Think about that on the way to your soap opera audition.
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