Some fundamentalists go so far as to reject psychology as a disciplined study, which is unfortunate and polarizing. By definition, psychology is the study of the soul, theology is the study of God. Generally speaking, systematic theology is a study of all the essential doctrines of faith, and that would include the study of our souls (psychology).
I really do love psychology and philosophy but I'm no professional at these things. Because I love seeing the true side of humanity, as I've continued that, I have ultimately lent towards philosophy and psychology but it is not something in which I try to study.
I've come to the conclusion that mythology is really a form of archaeological psychology. Mythology gives you a sense of what a people believes, what they fear.
Poetry is ultimately mythology, the telling of stories of the soul. The old myths, the old gods, the old heroes have never died. They are only sleeping at the bottom of our minds, waiting for our call. We have need of them, for in their sum they epitomize the wisdom and experience of the race.
For black people in the western hemisphere, if you can't generate a mythology that creates models of heroism and power out of the mythology that you had, then that means that somehow the mythology you had was not only feeble and weak, but that you are ultimately a powerless people. That's a notion that, I think, that can't be accepted.
With regard to how I chose Pacifica, my story is interesting. I did not go to Pacifica to specifically become a therapist. I went to Pacifica to study Jungian psychology and archetypes and mythology and there were many different programs there.
I'd definitely like to study other things and keep on learning all the time, but I wouldn't want to do anything else. Ultimately, acting is my craft. I've always been interested in psychology and nutrition, but I don't know that I'd go and make that my profession.
The connection between psychology, mythology, and literature is as important as the connection between psychology and biology and the hard sciences.
I'm usually working on my own mythology, my own realm of created characters. Stories in mythology inspire me, though I may not be conscious of it.
My dream was to study psychology in Israel. It's a long journey - it's seven years of study.
I used to like Norse mythology, Greek mythology, Egyptian mythology. All mythology!
Thus we hope to teach mythology not as a study, but as a relaxation from study; to give our work the charm of a story-book, yet by means of it to impart a knowledge of an important branch of education.
The states of consciousness are all that psychology needs to do her work with. Metaphysics or theology may prove the Soul to exist; but for psychology the hypothesis of such a substantial principle of unity is superfluous.
Ultimately, a director is a storyteller. I wanted to fortify that part of my life as a director, so I thought the best way to do that is to study and learn about the greatest stories ever written.
Eventually, I went to college to study psychology, but I was getting more and more TV roles, so I thought, 'You know? It's kind of like psychology, but a little more selfish.' I took a break from school, moved to L.A., and never went back.
I love the entire 'Constantine' mythology, the 'Dead Man' mythology, the Alex Holland 'Swamp Thing' mythology.