A Quote by James Hillman
The psyche is highly flammable material. So we are always wrapping things in asbestos, keeping our images and fantasies at arm's length because they are so full of love
Related Quotes
In general, the bigger a mountain the older it is. The biggest mountains were built before any others, because when they were built there was incomparably more flammable material within the Earth. Over the many thousands of years that have passed, the quantity of flammable material has doubtless decreased.
As a general rule, fans and idols should always be kept at arm's length, the length of the arm to be proportionate to the degree of sheer idolatry involved. Don't take a Beatle to lunch. Don't wait up to see if the Easter Bunny is real. Just enjoy the egg hunt.
Our sexuality is affected by our fantasies. Some of these fantasies have their roots in our childhood. We have the power to control our thoughts but many people don't do it because they get pleasure in their fantasies.
We measure our success of love in the images of love. But those images are static. And it's a hopeless project, because our love will never be like that image. The actual reality of love in our lives is much more chaotic.
When you're using a long brush, you have your arm at full length. Basically, it exaggerates the movement of your body. But I always start far away and end up really close.
What did i know of your fantasies? Why do we know so little about the fantasies of our parents? What do we know of somebody if we know nothing of the images passed to him by his imagination?
Love is the most elusive thing I know. Always an arm's length away, teasing me and asking me to stretch a bit more and grab it.
Everything is Flammable was the first full-length book I was able to finish. I started a couple others, but ran out of steam. This one had momentum, I never got bored or discouraged. It is made up of short pieces, which is where my comfort zone is. I'm more of a sprinter than a long-distance runner. When you do a short piece, you get in and get out; you don't linger.
I love my ink. They all have a meaning. I'm very strong in my faith, so I wanted to have some religious images. I've got Pieta, a Michelangelo sculpture of Mary holding Jesus after he came off the cross, on my shoulder. A sacred heart on my arm. Musical notes because I love music. The compass on my chest is there because church is my compass.
Let me tell you something, last night in the debate, during one of the breaks, two of the breaks, Donald Trump went backstage... He asked for a full length mirror. I don't know why because the podium goes up to here. He wanted a full length mirror. Maybe to make sure his pants weren't wet. I don't know.
I think the [fan] access is complicated, because it brings wonderful things into my life, and it brings really negative things into my life. I just try to keep the negative stuff at arm's length. Laugh at it and walk away.
My deal was that they would use a full-length picture of me in my underwear and a full-length picture of me all done up, and they would write about how long it took and how much it cost, because that was the whole point. It was very liberating.
We never want to be a band that keeps our fans at arm’s length. This has always been about us and our fans together. We’ve been on an amazing journey with our fans already, but knowing that the best is still to come is a pretty
exciting feeling for all of us.
Images exist; things themselves are images... Images constantly act on and react to one another, produce and consume. There is no difference between images, things and movement.
I always say, 'Man, the Creator is preparing me for something. He's keeping the sun on me for some reason. He's keeping me aligned with that generation.' Because I genuinely love people, I love hip-hop, and I love using it as a tool to communicate and to create a better vibration.
I just love the way the '60s rock stars put themselves together, because they were like dandies and peacocks. They really lived out their fantasies - and dressed their fantasies.
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