A Quote by James Hillman

Each of us needs an adequate biography: How do I put together into a coherent image the pieces of my life? How do I find the basic plot of my story? — © James Hillman
Each of us needs an adequate biography: How do I put together into a coherent image the pieces of my life? How do I find the basic plot of my story?
Plot is what happens in your story. Every story needs structure, just as every body needs a skeleton. It is how you 'flesh out and clothe' your structure that makes each story unique.
With what you were talking about before. The world being broken. Maybe it isn't that we're supposed to find the pieces and put them back together. Maybe we're the pieces." Nick says. "Maybe," Nick says, "what we're supposed to do is come together. That's how we stop the breaking.
How our story has been divided up among the truth-telling professions! Religion, philosophy, history, poetry, compete with each other for our ears; and science competes with all together. And for each we have a different set of ears. But, though we hear much, what we are told is as nothing: none of it gives us ourselves, rather each story-kind steals us to make its reality of us.
If we wish to know about a man, we ask 'what is his story--his real, inmost story?'--for each of us is a biography, a story. Each of us is a singular narrative, which is constructed, continually, unconsciously, by, through, and in us--through our perceptions, our feelings, our thoughts, our actions; and, not least, our discourse, our spoken narrations. Biologically, physiologically, we are not so different from each other; historically, as narratives--we are each of us unique.
The romance is the primary plot in a story that has two plots. The second plot is not a subplot, but one that is interwoven with the romance plot (if that makes sense.) A story needs compelling characters in a compelling plot.
Most Christians who've been around for a while have their Story in bits and pieces, but have never seen how powerful it really is when assembled as a whole. I want them to see how well it fits together and how it offers tremendous explanatory power regarding the world as we actually find it. I want them to see how it resolves the problem of evil, and why God's solution - the God/man Jesus - is the only solution.
I believe no matter how much you research a person's life. No matter how long you spend, the person always remains a mystery. I go by this quote that Mark Twain said about the definition of a biography: a biography is the clothes and buttons of a man or a woman but the real story is in the person's head and that you can never know. I don't think it's possible to get the whole picture, ever.
On, there are so many lives. How we wish we could live them concurrently instead of one by one by one. We could select the best pieces of each, stringing them together like a strand of pearls. But that's not how it works. A human life is a beautiful mess.
You know, life fractures us all into little pieces. It harms us, but it's how we glue those fractures back together that make us stronger.
I'm a filmmaker, but my working procedures are different. All my basic structuring is done during the filming. You know, how long I keep the shot, the exposure or the speed - slower or faster, etc. That's structuring. And then there is a second stage of structuring that comes later when I begin to put those pieces together.
The lovers enter into a story together - "this how we met, this is how we were meant for each other" - and then at some point (in my experience, at least), the story splits, and they no longer share it. Then, you either change the story, or you break up. I've always broken up.
I was interested in the ways we can write biography. When you're first starting to write about your own life it feels so shapeless because you don't know how to make your own story cohesive. How do I pluck a story out of the entirety of what it means to be alive. It occurred to me recently that when you're telling a story about your own life, rather than taking a chunk, you're kinda like lifting a thread from a loom.
One of the things I find exciting about Joan of Arc is how clearly the story of her life reveals the creation of myth, a process in which every one of us is involved - every one of us who tells stories and all those who listen, each informing the other.
I started out as a poet who primarily wanted to write about image and moment. Over the years I've been trying to teach myself how to do plot and scene. My first story collection had the most issues with the plotlessness, and when I was writing my second collection I was teaching myself how to make things happen.
I've written quite a few things, but I've put it on hold for now to see how everything fits together. Then I'll approach it and write specifically to see how the pieces fit in the puzzle.
My advice to aspiring writers of fantasy trilogies or series is that each book needs two main plots. There's the 'big story', the over-arching grand plot of the entire series, and there is the complete-in-itself, one-book plot.
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