A Quote by James Hillman

It's very important for men to look downward, to the next generation — © James Hillman
It's very important for men to look downward, to the next generation
It's very important for men to look downward, to the next generation.
There's a generation of people that do fetishize books and do fetishize catalogues and do look at them as something important. The same thing with magazine culture: because magazines don't make the amount of money that they used to, it's become important again to another generation of people to actually read them. And it's very, very pinpointed to the select people that actually fetishize and go in and look at them.
It's very important to inspire the next generation.
Honestly, I'm a firm believer in the next generation of filmmakers. It's very important to keep things fresh, new, current. They have a pulse on what's important today.
Every generation has the obligation to free men's minds for a look at new worlds . . . to look out from a higher plateau than the last generation.
If you look at the requirements for just one piece, like art, from one generation of games to the next, it will change radically. You need people who are adaptable because the thing that makes you the best in the world in one generation of games is going to be totally useless in the next.
The most important business of one generation is the raising of the next generation. Nothing else you do in life will be as deeply satisfying.
Generation after generation, there is this never-ending, contemptuous, condescending attitude to the next generation or the next way of thinking: music, art, politics, whatever. And I have never been like that.
What's really important for me is, as an old man, I'm known by my own generation and the next generation know me, too.
Evolution is all about passing on the genome to the next generation, adapting and surviving through generation after generation. From an evolutionary point of view, you and I are like the booster rockets designed to send the genetic payload into the next level of orbit and then drop off into the sea.
The youth are very important to me, they're the next generation, but I want to instill in kids, even in playing, that it's never too late and there's no right or wrong way to do anything.
I find now, swallowing one teaspoon of pain, that it drops downward to the past where it mixes with last year’s cupful and downward into a decade’s quart and downward into a lifetime’s ocean. I alternate treading water and deadman’s float.
Art shows and the institutions end up being the couriers for culture for the next generation and are an important component as well. It may seem ironic from one perspective, but I think if you look at my overall strategy, it's actually not out of step.
Each generation is tough! I'm still learning my generation. The desire to connect has to be present and evident. My generation thrives off of transparency and we can see through inauthenticity. On the contrary, we cling to what is real and genuine. While tradition and customs are important in their place, it's also important to be able to meet people where they are and speak their language a little bit. If this isn't done, you'll have a very difficult time connecting with young people.
The bonds that women share around the world, wherever we come from, they're very powerful and they have an ease of communication because we share those very important things of our families, our mothering, of improving opportunities for the next generation.
I think with each generation comes more opportunity. At least that's the way that I see it. I grew up in a generation that watched the birth of the internet. We all have. But I feel like I look around at the generation younger than me and it's a very opportunistic mantra.
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