A Quote by James Howard Kunstler
We're living in a culture that doesn't believe in decorating buildings, or proportioning them properly. And they don't know how to do it anymore because they haven't been doing it for, you know, the better part of the century.
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What grinds me the most is that we’re sending kids out into the world who don’t know how to balance a checkbook, don’t know how to apply for a loan, don’t even know how to properly fill out a job application, but because they know the quadratic formula we consider them prepared for the world?
There's nobody who knows the left better than I know 'em. I know the left like I know every square inch of my gloriously naked body, not just the back of my hand. I know them. I know them better than they know themselves because they refuse to be honest about who they are really are and what they really believe, but I am.
You have to start with slavery because those abuses have never been eradicated. You know, people are not living in slums because they voted to. You know, their children are not in jail because they wanted them to. You know, these are the results of a people who have been oppressed and suffer national oppression, you know.
Keep it real by being straight forward. Don't pull no punches on people. It's better to tell somebody than just lollygag around, letting them think they're living their life the right way. Because some people don't know what the hell they're doing, they don't know if they're living the right way or making the right decisions. Some people don't know that.
You think that because I want to do what’s right, because I want to make things better, I’m weak,” Claire said. “Or that I’m stupid. But I’m not. It takes a lot more strength to know how bad the world is and not want to be part of that, give in to it. And I do know, Kim. Believe me.
Sometimes when you get older — and I’m not talking about you, I’m talking generally, because everyone ages differently — things you think on and wish on start to seem real. And then you believe them, and before you know it they’re part of your history, and if someone challenges you on them and says they’re not true — why, then you get offended because you can’t remember the first part. All you know is that you’ve been called a liar.
Products, profits, and paychecks are not enough anymore. These days, society cares how you treat your own workers. Customers want to know you promote the same values inside your walls as you do outside; job hunters want to know you care about them before they send in an application. Your culture is your brand. You need to create an organization where your employees believe in what you do.
I don't want to know who he's been with or how many [women]. I do want to know that my man is not a virgin, because I want to know that he knows what he's doing. But I don't need to know how he's learned it.
The free market is constantly under attack from those who believe that they know how to make the world a better place with properly administered doses of state coercion.
I don't actually talk about my books much, because I find if I talk about them I don't want to write them anymore. I write to find out what happens. You know how you read a book? That's what I'm doing except I'm just doing it a lot slower because it takes a lot longer to do.
I've never been in this part of Trenton before. I don't feel comfortable driving around buildings that haven't got gang slogans sprayed on them. Look at this place. No boarded-up windows. No garbage in the gutter. No brothers selling goods on the street. Don't know how people can live like this.
Men who cannot believe in the mystery of our Saviour's redemption can believe that spirits from the dead have visited them in a stranger's parlour, because they see a table shake and do not know how it is shaken; because they hear a rapping on a board, and cannot see the instrument that raps it; because they are touched in the dark, and do not know the hand that touches them.
I know all my different formulas to get certain sounds. I've been doing this so long that I don't experiment anymore. Or let me rephrase: I've been doing this so long that I don't have to experiment as much. You always want to evolve and change, but if I go in and I know it's a certain type of song, I know exactly where I'm going to place the mics.
I know what actors fear, what they like; I know how to get things out of them and I listen to them better, since I've been there.
Direction is the most invisible part of the theatrical art. It's not like the conductor in the symphony orchestra performance because he's standing in front of you waiving his arms. You now what he's doing. You don't know what the director is doing unless you know a lot about theater and even then you can only deduce it. You know it when you go to rehearsal. You really know it when they are rehearsing something of yours. I learned more in the rehearsals for The Letter than I have ever dreamed of know in the theater as a critic. If it doesn't make me a better critic, I'm an idiot.
Narratives that were taken for granted when I was a kid are still there, but they don't have the same depth and fervor anymore. Even the makers of the propaganda don't fully believe the propaganda. The surface structures are more frozen than they ever were, but the core is hollowing out, and it's becoming very fragile. People don't believe in the system anymore. But they're still going along with it because, one, they don't know what else is possible, they don't even know anything else is possible. Secondly, everybody else is doing it. So they go through the motions.
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