A Quote by James Howard Kunstler
People don't like railroad tracks near them? We'll see how they feel when the percentage of U.S. citizens who can afford to drive a car goes way down, as it will.
Related Quotes
A player's ability to rebound is inversely proportional to the distance between where he was born and the nearest railroad tracks. The greater distance you live from the poor side of the railroad tracks, the less likely that you will be a good rebounder.
I didn't want a pickup with mud tires. I wanted an old blazer with as many speakers in the back as I could afford. I would even steal them out of my brother's car and pack them in there. I remember sitting in a parking lot and turning my radio up and walking down the street to see how far you could feel it.
I feel like in the races I watched before I got to NASCAR, nobody ran like right next to the wall. And I feel like since I've gotten here, a lot more people do now. I don't know if it's the way the cars drive or the tracks age or what, but I feel like I've had a part in changing the style of NASCAR racing a little bit.
I feel the car, but I think with me and my background of dirt racing and stuff and not having pit stops, you just kind of 'All right, this is how my car is handling, I've got to figure out how to drive it' and then you get a feel of how you want it to feel.
You will miss out on some near soul mates. This goes for friendships, too. There will be unforgettable people with whom you have shared an excellent evening or a few days. Now they live in Hong Kong, and you will never see them again. That’s just how life is.
I mean, the power of water to lift cars is amazing. A creek backed up near a railroad track. And an entire train was lifted off of the railroad track and dumped over. People just need to make sure they do not drive into water. It floats the cars, and then we have deaths because of it.
My car was broken into four times before it was stolen. That can drive you nuts - the repetition. I'd wake up every morning and put on my jeans over my pajamas to run down and see if my car was still on the street. That's not a pleasant way to live.
Most people have no concept of how an automatic transmission works, yet they know how to drive a car. You don't have to study physics to understand the laws of motion to drive a car. You don't have to understand any of this stuff to use Macintosh.
Honestly, I feel nobody can drive a race car better than I can. Driving-wise, I feel like I can out-drive anybody.
We really believe that long-term, the way AI will drive is similar to the way humans drive - we don't break the problem down into objects and vision and localization and planning. But how long it will take us to get there is questionable.
I'm always interested in hearing how other people read and react to my songs. I hadn't thought of it in just that way. One of the things I love about doing things that are creative is that I feel like it's my right as an artist not to be affected by the reactions of those people that are going to hear my songs. But I also feel like it's the right of the people hearing them to have their own interpretations of what these songs mean. Sometimes people will see things that I don't see.
I will not stop. I will not slow down. I will not pull over to ask for directions. I will build the road that takes me where I want to be and I will drive, drive, drive. I will drive until the vehicle around me breaks down, falls apart and tumbles into useless debris... and then I will walk.
I was the kid who would take the car out at night when he was 16 and see if he can redline it. And then there's the kid who will be careful of it because it's his dad's car, or whatever, and drive it safely home and go to bed. And that's how my whole life was.
Art historical reference is like learning to drive a car - you always know how to drive even though you're not analysing how.
If culture was a railroad, I can see the tracks running from the Spirituals to the Hip Hop Nation.
Well, besides being entertained, I’d like to move them emotionally. I mean I really want to uplift them. I want to look down at the audience, and this is personal experiences now I’m going to tell you. It’s like you look down at the audience and see people smiling, crying, hugging each other. I want them on their way home to feel empowered like they can do anything.
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