A Quote by James Hunter

For me, hearing the term 'apply yourself' was like a crucifix to Bella Lugosi's Dracula. 'Ahhh, it burns!' — © James Hunter
For me, hearing the term 'apply yourself' was like a crucifix to Bella Lugosi's Dracula. 'Ahhh, it burns!'

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Too often, in novels that are speculative, God is a kind of kryptonite, and that's about all that it is, and it goes back to Dracula, where someone dumps a crucifix in Count Dracula's face, and he pulls away and runs back into his house. That's not religion. That's some kind of juju, like a talisman.
The thing that I learned early on is you really need to set goals in your life, both short-term and long-term, just like you do in business. Having that long-term goal will enable you to have a plan on how to achieve it. We apply these skills in business, yet when it comes to ourselves, we rarely apply them.
As a kid, I had a Beatles poster and a Bela Lugosi as Dracula poster, so both worlds always appealed to me. Horror allows you to do things as a composer than you're able to do in no other style of movie. The music has to be aggressive. You can't tiptoe around. It has to be incredibly focused dramatically - no time for second thoughts.
I wish i'd hurt him I didn't do any damage at all-Bella I can fix that-edward I was hoping you would say that-bella there was a slight pause "that doesn't sound like you what did he do"-edward he kissed me-bella all i heard on the other end of the line was the sound of an engine accelerating
I tried to concentrate on the angel's voice instead. "Bella, please! Bella, listen to me, please, please, please, Bella, please!" he begged. Yes, I wanted to say. Anything. But I couldn't find my lips. "Carlisle!" the angel called, agony in his perfect voice. "Bella, Bella, no, oh please, no, no!" And the angel was sobbing tearless, broken sobs. The angel shouldn't weep, it was wrong. I tried to find him, to tell him everything was fine, but the water was so deep, it was pressing on me, and I couldn't breathe.
It's funny, the power of music. I was watching 'Dracula,' the 1931 version with Bela Lugosi, and the only music you hear is at the very beginning of the credits. There's not one other piece of music; it's all silent. It's unbelievable, and it's very effective, too.
Bella: How could I live with myself when it’s my fault? None of you should be risking yourselves for me – Jasper: Bella, Bella, stop. You’re worrying all the wrong things, Bella. Trust me on this – none of us are in jeopardy… Our family is strong. Our only fear is losing you. Bella: But why should you – Alice: It’s been almost a century that Edward’s been alone. Now he’s found you. You can’t see the changes that we see, we who have been with him for so long. Do you think any of us want to look into his eyes for the next hundred years if he loses you?
It is sort of interesting that in our society this days we are very quick to apply the term 'war' to places where thare are no actual wars, and loath to apply the term 'war' when we are actually fighting wars.
It's nice to have short-term to medium-term things that we can apply and see real change in our products, but also have longer-term, five to 10 year goals that we're working toward.
Awareness is fire; it burns all that is wrong in you. It burns your ego. It burns your greed, it burns your possessiveness, it burns your jealousy - it burns all that is wrong and negative, and it enhances all that is beautiful, graceful, divine.
As a child, I saw this beautiful film, Dracula's Daughter, and it was with Gloria Holden and was a sequel to the original Dracula. It was all about this beautiful daughter of Dracula who was an artist in London, and she felt drinking blood was a curse. It had beautiful, sensitive scenes in it, and that film mesmerized me. It established to me what vampires were?these elegant, tragic, sensitive people. I was really just going with that feeling when writing Interview With the Vampire. I didn't do a lot of research.
The way everyone looked at me made me uncomfortable. Even Edward. It was like I had grown a hundred feet during the course of the morning. I tried to ignore the impressed looks, mostly keeping my eyes on Nessie’s sleeping face and Jacob’s unchanged expression. I would always be just Bella to him, and that was a relief. Bella Cullen, Breaking Dawn, Chapter 39, p.747
People talk about 'date night,' and it is true: Sometimes you have to apply yourself, or at least apply lipstick to yourself. You kind of have to dress up, just because. You know, wear heels to your own dinner table.
There are certain things in 'Twilight'... As much as I'm proud of that movie and I do like it, I feel like maybe I brought too much of myself to the character. I feel like I really know Bella now. But most readers feel like they know Bella because it's a first-person narrative.
If you don't know yourself, if you don't control yourself, if you don't have mastery over yourself, it's very hard to like yourself, except in some short-term, psych-up, superficial way.
You can't apply the term 'lucrative' to dancing, but it does earn me a decent living.
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