A Quote by James Iha

So there was something of a learning curve with doing your own thing and people seeing you outside of the band. I mean, people have never really heard my voice before - or heard a whole record of mine before. So it was a completely new experience.
I've found that the chief difficulty for most people was to realize that they had really heard new things: that is things that they had never heard before. They kept translating what they heard into their habitual language. They had ceased to hope and believe there might be anything new.
The more I can make a person comfortable in their environment by taking my ego's hat off and leaving it at the door, then they can dive deep within themselves and we can pull out something interesting that people have never heard before. It's the stuff that's - that no one's ever heard before is really interesting.
My thing is to get new fans. So I love when people say, 'Oh, I've heard of him before.' Or 'I've never heard of Durk.' Or 'I'm a fan of Durk today.' This is what I like to see, because it lets me know when I come out with something that it's going to work.
For books I want to keep reading, it's definitely the voice. It must be a voice I've never heard before, and it must have its own particular intelligence. By 'voice,' I don't mean vernacular. It has to have its own particular history and world that it inhabits.
Just think about it, be honest, how many groups have you heard of in the last five or six, seven, eight years that you never heard of playing live? You never heard of them making a record. You never heard of them in anybody else's band, and all of a sudden they're the biggest thing going. That to me, that's to me social media music. I'm not saying it's right or it's wrong but it is what it is.
Usually, when you're putting out a record, you have reviews from people a week before, and you have a vibe 'cause everyone's heard it - you've heard feedback from everyone, and they've listened to your single for a couple of months. Radio's playing it.
The best compliment I get every year is that a band will write me and say, 'We were just on tour, and we had people coming to our show saying they had never heard us before they heard us on your show.'
The really cool thing about festivals is that you're getting to play in front of a whole lot of people who have never heard of us before. That's exciting. At the same time, it's a little bit of a challenge to capture the attention of people who have already seen a lot of bands.
I went to my son's graduation this weekend, and I heard a great quote I've never heard before from Albert Einstein. It was that the greatest danger to the world is not the bad people but it's the good people who don't speak out.
Whenever I sing, I try to make it different, the sound that you've never heard before, and put something new, which people love.
I'm really terrible at math, so I won't even attempt to do ratios and percentages, but all I know is that there's a lot of new songs that no-one has heard yet, and that there's a lot of old songs that some very, very super hardcore fans have heard for sure - there are people that have been coming and seeing me play in bars in like 2002, and there are songs that those people heard.
Up to the age of 14 I had not heard a note of anything before 1750, never heard a note of Bach, never heard anything after Wagner, and never heard any real jazz.
I'll always remember when I first heard Lester [Young]. I'd never heard anyone like him before. He was a stylist with a different sound. A sound I'd never heard before or since. To be honest with you, I didn't much like it at first.
If you hear a C-major chord with an equal temperament, you've heard it a million times before and your brain accepts it. But if you hear a chord that you've never heard before, you're like, "huh."
I'm hoping that when people hear a live Dawes song on YouTube or at a show and then they get that studio version, hopefully they're excited, rather than saying, "Oh man, I wanted completely new material I've never heard before."
I like to present something that the people haven't seen or haven't heard before. Otherwise they might as well just stay home and play the record.
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