My thing has always been that the clothing we make is kind of like music. There are always critics that don't understand that young people can be into Bob Dylan but also into the Wu-Tang Clan and Coltrane and Social Distortion.
To me, Wu-Tang is beyond Wu-Tang Clan... It's just like, hip-hop is beyond Grandmaster Flash, but Grandmaster Flash was one of the first guys to hit those turntables like that. The same thing with Wu-Tang. You'll see the difference in hip-hop from the moment we came in to before we came in. We changed it. We changed the whole structure.
I grew up listening to a lot of Snoop Dogg and the Wu-Tang Clan. Actually, I was a huge Wu-Tang fan.
We started playing music because of the Wu-Tang Clan.
I thought that Wu-Tang was the best sword style - the best sword-style of martial arts. And the tongue is like a sword. And so I say that we have the best lyrics, so, therefore, we are the Wu-Tang Clan.
I like the Wu Tang Clan a lot.
Bob Dylan had been a big sort of presence in my life but I'd never quite registered what he was trying to tell me. He was always this kind of figure, a sort of bear-like figure in the corner of the room. You know, every time I imagined what Bob Dylan looked like, he looked a bit like Steve Earl used to look - with the beard.
I started listening to old music that represented Mum and us living in west London when I was younger, and delved deep: SWV, Soul II Soul, Mos Def, A Tribe Called Quest, Young Disciples, D'Angelo and lots of Wu Tang Clan.
Wu-Tang was going through it. They didn't come from great homes or families. They really came from hard beginnings so it just made me reflect on my own situation. If Wu-Tang was able to make it, why can't I?
We didn't have the phrase 'style icon' when I was young, but I have to say, I really copied Bob Dylan when I was younger: a little bit of Bob Dylan or a lot of Bob Dylan and the French symbolist poets - I liked how they dressed - and Catholic school boys.
Wu-Tang Clan's first album, '36 Chambers,' there wasn't a lot of money given to make that album.
Education is the tool. Even if we haven't directly instructed a session, I think Wu-Tang has been an instructor of education to anyone who has been a fan, anyone who has supported our movement, whether its been from buying a Wu-Tang CD or coming to see a show.
I'd love to have a lifetime career. If you look at people like Bob Dylan or Neil Young, people who have been there forever and who still make relevant music that people want to listen to - that would be amazing. I hope to be able to do that. But above all else, I feel like I just want to be happy.
I started my career as an assistant for Wu-Tang Clan, then transitioned into urban marketing.
Like trillions of others, if it wasn't for Bob Dylan, it would have been a different musical landscape. Pop music wouldn't have been my thing at all. I did also grow up listening to The Beatles, but I never thought of being a Beatle.
I am a Wu-Tang member and Method Man, he been a Def Squad member way before I was a Wu member. I was like a Wu member but I wasn't official.
It's sort of irritating now - people always ask me, "You're a dad, and how's fatherhood?" If Bob Dylan or Neil Young had a kid, it didn't seem like it made them a different person. It didn't make you old right away.