A Quote by James Joll
The aim of the historian, like that of the artist, is to enlarge our picture of the world, to give us a new way of looking at things.
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A new world is not made simply by trying to forget the old. A new world is made with a new spirit, with new values. Our world may have begun that way, but today it is caricature. Our world is a world of things. What we dread most, in the face of the impending debacle, is that we shall be obliged to give up our gewgaws, our gadgets, all the little comforts that have made us so uncomfortable. We are not peaceful souls; we are smug, timid, queasy and quaky.
The systems of stereotypes may be the core of our personal tradition, the defenses of our position in society. They are an ordered more or less consistent picture of the world, to which our habits, our tastes, our capacities, our comforts and our hopes have adjusted themselves. They may not be a complete picture of the world, but they are a picture of a possible world to which we are adapted. In that world, people and things have their well-known places, and do certain expected things. We feel at home there. We fit in. We are members.
One aim of physical sciences had been to give an exact picture the material world. One achievement of physics in the twentieth century has been to prove that that aim is unattainable.
Contemporary art is based on that an artist is supposed to go into art history in the same way as an art historian. When the artist produces something he or she relates to it with the eye of an art historian/critic. I have the feeling that when I am working it is more like working with soap opera or glamour. It is emotional and not art criticism or history of art.
The artist who paints the emotions creates an enclosed world... the picture... which, like a book, has the same interest no matter where it happens to be. Such an artist, we may imagine, spends a great deal of time doing nothing but looking, both around him and inside him.
I'm saying let's demonstrate what Jesus had done in us so the world may see a new way, God's way, Jesus' way the picture of redemption that Jesus has done in us. So Jesus redeems us and we desire to go to the world and demonstrate that so that others can see what redemption looks like.
I think staying grounded is one of the hardest things we'll ever do in our lives. It's always back and forth. To be able to stay grounded, we need to live with open hands that everything that we have has been given to us by the creator of this universe. He can take it, and he can give it back to us. He can take some things, and he can give us new things. When a door closes, a new one is going to open.
You have to remember that you are part of a craft, and you are constantly building your craft. Ultimately, we are artists, so it comes from us. And I think the tricky thing about being an actor is that we're looking for someone else to give us something... Thinking like an artist and thinking like an out-of-work actor are two different things.
The artist is the creator of beautiful things. To reveal art and conceal the artist is art's aim. The critic is he who can translate into another manner or a new material his impression of beautiful things.
One of the magical things about these anthropomorphic animal movies is that we can take things that are so common in our own world that we deal with, like the DMV, or moving to a new city, or our family, and show you a mirror image of those things, reflected in a whole new way. That's why animals are great.
I got like a list of things at the beginning. There were ten things that Bryan made for each one of us, and he drew us our own personal picture of our character that was in color. And uh, I just have a copy of it, I think that they're going to do something special with the originals at the end, like presenting them to us.
Our colonizers have taught us to believe that our health has improved because of Western medicine, Western foods, and Western technology. In a society that values progress, our colonizers taught us that conditions in the world are perpetually improving, that with each new technological advancement, each new discovery, each new way to utilize resources, each new way to alter the environment, that the world is getting better, that it is advancing. These are all lies.
Art deals with profound and simple moods. Let us suppose that the artist - in this instance (the artist) Picabia - gets a certain impression by looking at our skyscrapers, our city, our way of life, and that he tries to reproduce it. He will convey it in plastic ways on the canvas, even though we see neither skyscrapers nor city on it.
Our dearest one. Fear nothing of the forest. There is no danger in solitude. We have no need of our brothers. Let us forget their good and our evil, let us forget all things save that we are together and that there is joy as a bond between us. Give us your hand. Look ahead. It is our own world, Golden One, a strange, unknown world, but our own.
The way I relax, what I like doing most, is watching. That's why I like traveling, to have new things before my eyes - even a new face. I enjoy myself like that and can stay for hours, looking at things, people, scenery.
Hopelessness may be the saddest word in our language. Despair is the enemy of our souls. It can paralyze us, halt our progress, and cause us to lose our way. But hope awakens us like a light shining in the darkness. We can endure all things when our hope is centered in one who will never fail us-our Savior, Jesus Christ, who is the light of the world.
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