A Quote by James Jones
The quality which makes man want to write and be read is essentially a desire for self-exposure and masochism. Like one of those guys who has a compulsion to take his thing out and show it on the street.
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Vanity is so anchored in the heart of man that a soldier, a soldier's servant, a cook, a porter brags and wishes to have his admirers. Even philosophers wish for them. Those who write against vanity want to have the glory of having written well; and those who read it desire the glory of having read it. I who write this have perhaps this desire, and perhaps those who will read it.
The Fremen were supreme in that quality the ancients called "spannungsbogen" -- which is the self-imposed delay between desire for a thing and the act of reaching out to grasp that thing.
There are a lot of people out there who will write books, in which everything turns out nicely and the bad guys lose, the good guys win, the boy gets the girl and they live happily ever after. There's a million books like that and if that's the comfort you're looking for, you should read those books and not my books because that's not the kind of book that I am interested in.
You don't like to see your guys take the field without you because it makes you feel like, man, maybe they really don't need me out there, which is kind of humbling.
A plant is like a self-willed man, out of whom we can obtain all which we desire, if we will only treat him his own way.
Overall, I just love performing so much that when I write, I want to write for me. I kind of learned that on 'Mr. Show,' that even in an environment where you can write whatever you want - which is what that environment was - I realized, 'Man, I still want to be the guy out in front.'
Nobody wants to read about the honest lawyer down the street who does real estate loans and wills. If you want to sell books, you have to write about the interesting lawyers - the guys who steal all the money and take off. That's the fun stuff.
Man is more than his environment. It is from the innate quality of the Spirit in him, his inner storehouse, that he draws those ideas, his intuitions, which unify his perceptions of the external world instantaneously with a value which is qualitative and not quantitative, and which he embodies in the works of his culture - those achievements which belong not only to one particular time but to all times, and mark the path of his upward progress.
I'm from the street, but I'm not a street head. I'm not one of those guys who believe that life is about the street. I'm nerdy at heart, man.
Museums are important. Design and art schools are important because they show how it should be done at the highest level of quality. Once people are exposed to quality, they recognize it right away and they appreciate it. People's tastes are changed by exposure to quality. Unless they can see it they can't want it. That's the brilliance of Apple - they provide quality in design.
And out of a desire essentially to imitate what I was reading, I began to write, like a clever monkey.
It is not the right of property which is protected, but the right to property. Property, per se, has no rights; but the individual - the man - has three great rights, equally sacred from arbitrary interference: the right to his life, the right to his liberty, the right to his property The three rights are so bound together as to be essentially one right. To give a man his life but to deny him his liberty, is to take from him all that makes his life worth living. To give him his liberty but take from him the property which is the fruit and badge of his liberty is to still leave him a slave.
Two ideas are psychologically deep-rooted in man: self-protection and self-preservation. For self-protection man has created God, on whom he depends for his own protection, safety and security, just as a child depends on its parent. For self-preservation man has conceived the idea of an immortal Soul or Atman, which will live eternally. In his ignorance, weakness, fear, and desire, man needs these two things to console himself. Hence he clings to them deeply and fanatically.
Quality doesn't mean deep blacks and whatever tonal range. That's not quality, that's a kind of quality. The pictures of Robert Frank might strike someone as being sloppy-the tone range isn't right and things like that-but they're far superior to the pictures of Ansel Adams with regard to quality, because the quality of Ansel Adams, if I may say so, is essentially the quality of a postcard. But the quality of Robert Frank is a quality that has something to do with what he's doing, what his mind is. It's not balancing out the sky to the sand and so forth. It's got to do with intention.
I want to be the apostle of self destruction. I want my book to affect man's reason, his emotions, his nerves, his whole animal nature. I should like my book to make people turn pale with horror as they read it, to affect them like a drug, like a terrifying dream, to drive them mad, to make them curse and hate me but still to read me.
Those who write against vanity want the glory of having written well, and their readers the glory of reading well, and I who write this have the same desire, as perhaps those who read this have also.
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