A Quote by James Joyce
The artist, like the God of the creation, remains within or behind or beyond or above his handiwork, invisible, refined out of existence, indifferent, paring his fingernails.
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The personality of the artist, at first a cry or a cadence or a mood and then a fluid, and lambent narrative, finally refines itself out of existence, impersonalises itself, so to speak. The aesthetic image in the dramatic form is life purified in and reprojected from the human imagination. The mystery of aesthetic like that of material creation is accomplished. The artist, like the God of the creation, remains within or behind or beyond or above his handiwork, invisible, refined out of existence, indifferent, paring his fingernails.
The God I do believe in is the God who doesn't care: James Joyce's God who stands back, paring his fingernails.
God dwells in His creation and is everywhere indivisibly present in all His works. He is transcendent above all His works even while He is immanent within them.
The annual World Day of Prayer for the Care of Creation will offer individual believers and communities a fitting opportunity to reaffirm their personal vocation to be stewards of creation, to thank God for the wonderful handiwork which he has entrusted to our care, and to implore his help for the protection of creation, as well as his pardon for the sins committed against the world in which we live.
Branches grew from his hands, his hair. His thoughts tangled like roots in the ground. He strained upward. Pitch ran like tears down his back. His name formed his core; ring upon ring of silence built around it. His face rose high above the forests. Gripped to earth, bending to the wind's fury, he disappeared within himself, behind the hard, wind-scrolled shield of his experiences.
[God] is perfect not only insofar as He is absolute perfection, defining perfection in Himself and from His singular existence and total perfection, but also because He is far beyond being so. He sets a boundary to the boundless and in His total unity He rises above all limitation. He is neither contained nor comprehended by anything. He reaches out to everything and beyond everything and does so with unfailing generosity and unstinted activity.
I have hitherto followed the lines marked out by the Theist in his attempt to prove that there exists a mind behind natural phenomena, and that the universe as we have it is, at least generally, an evidence of a plan designed by this mind. I have also pointed out that the only datum for such a conclusion is the universe we know. We must take that as a starting point. We can get neither behind it nor beyond it. We cannot start with God and deduce the universe from his existence; we must start with the world as we know it, and deduce God from the world.
The artist must be in his work as God is in creation, invisible and all-powerful; one must sense him everywhere but never see him.
But the context of religion is a great background for doing science. In the words of Psalm 19, 'The heavens declare the glory of God and the firmament showeth his handiwork'. Thus scientific research is a worshipful act, in that it reveals more of the wonders of God's creation.
He lay on his chair with his hands clasped above his paunch not reading, or sleeping, but basking like a creature gorged with existence.
God is Infinite and His Shadow is also infinite. The Shadow of God is the Infinite Space that accommodates the infinite Gross Sphere which, with its occurrences of millions of universes, within and without the ranges of men's knowledge, is the Creation that issued from the Point of Finiteness in the infinite Existence that is God.
For one who feels compelled, as I do, to accept the existence of the Master Architect, it is important to examine his handiwork for the light it throws on him and on his program for his children. For me, there has been no serious difficulty in reconciling the principles of true science with the principles of true religion.
It means that God's Creation has not its source in any necessity; it comes from his fullness of joy; it is his love that creates, therefore in Creation is his own revealment.
Now the basic impulse behind existentialism is optimistic, very much like the impulse behind all science. Existentialism is romanticism, and romanticism is the feeling that man is not the mere he has always taken himself for. Romanticism began as a tremendous surge of optimism about the stature of man. Its aim - like that of science - was to raise man above the muddled feelings and impulses of his everyday humanity, and to make him a god-like observer of human existence.
Man is more than merely an animal to exist and propagate his species. His mind gives him capacity to search out the great truths in God's arrangement and this lifts him far above the other animal creation.
The young man who closes the door behind him, who draws the curtains, and there in silence pleads with God for help, should first pour out his soul in gratitude for health, for friends, for loved ones, for the gospel, for the manifestations of God's existence. He should first count his many blessings and name them one by one.
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