A Quote by James L. Brooks
[Screenwriting] is no more complicated than old French torture chambers, I think. It's about as simple as that.
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To put the point sharply: If an informer in the French underground who sent a friend to the torture chambers of the Gestapo was equally a victim, then there can be no right or wrong in life that I understand.
The old days of screenwriting, and myths about screenwriting, are maybe over. It's a literary form, if you can wake up to it.
It's not a bad idea to call this Cthulhuism & Yog-Sothothery of mine "The Mythology of Hastur" - although it was really from Machen & Dunsany & others, rather than through the Bierce-Chambers line, that I picked up my gradually developing hash of theogony - or daimonogony. Come to think of it, I guess I sling this stuff more as Chambers does than as Machen & Dunsany do - though I had written a good deal of it before I ever suspected that Chambers ever wrote a weird story!
I actually don't think there is any difference between French and American cuisine. French cuisine was always about discipline, about ingredient, about creativity, but also about simple. I see America as very similar in these rights.
The torture and other sadistic abuses of prisoners in Iraq have done immense damage already to America's reputation in the world, and the worst may be yet to come. Shamefully, we now learn that Saddam's torture chambers reopened under new management: U.S. management.
The history of screenwriting - of what we do - is more than 100 years old. It's thousands of years old, going back to Sophocles and Euripedes. I believe the only - the only - separation for being a dramatist is reading drama.
The Universe loves grateful people. The more grateful you are, the more you get to be grateful about. It's that simple. Life is really that simple. We make it enormously complicated, but it doesn't have to be.
Girls are infinitely more complicated than boys and women more than men. And there's no doubt about that. We just don't like to think about it. Certainly the men don't like to think about it.
It is far more difficult to be simple than to be complicated.
After 10 years of French torture - psychological torture - it's great to do an American movie.
I think the French agonise more about being French, I don't think English think about being English that much. I think the Scottish think about being Scottish and the Welsh think about being Welsh, but the English don't really care. But the French think about it all the time, it's an absolute preoccupation.
The world is not about Batman and Robin fighting the Joker; things are more complicated than that. And nothing is scarier than the people who try to find easy answers to complicated questions.
If I'm not like my characters, I think just it's like a musician liking to play certain pieces of music rather than others. I just have more satisfaction when playing complicated things rather than some of your more straightforward, simple moments. . . . I like to be challenged.
A complex society is not necessarily more advanced than a simple one; it has just adapted to conditions in a more complicated way.
Men have died in torture chambers, on the stake, in concentration camps, in front of firing squads, rather than renounce their convictions. The appeaser renounces his under the pressure of a frown on a vacant face.
The abortion cases produced an enormous amount of mail to my chambers, vastly more than to the other chambers, I am sure. I sometimes thought there wasn't a woman in the United States who didn't write me a letter on one side or the other of that issue.
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