A Quote by James L. Brooks

Working on any show that works is the best job you can possibly have in any area of the business. You've got so much going for you, a good community, everybody's hanging together, and you get to do it every week.
There is no question that everybody who works in show business is lucky because of the number of people who wish they where working in show business.
This is so much harder than I ever thought it would be...because the thing is, even if you're just working part-time, your boss is going to expect a full week's worth of work, no matter how understanding she is. That's just the nature of the working world-things have to get done, babies or not. And if you're like me-if you're like any woman who ever did well in school and did well at her job-you don't want to disappoint a boss. And you want to do a good job raising your baby...It's not like you think it's going to be
I love the community of theater. There is something about the camaraderie: People who show up eight times a week to do a show. It's unlike any other business. It's just lovely. You feel like you're in a family.
When you're done with a job, even if you do stay in contact with certain people, it's never quite the same. It's a unique experience when you're working on a film or a television show together. You're together for 16 hours every day, sometimes six days a week. You're just never going to have that proximity again. So you miss people.
Back in the day I wanted to be a James Bond girl and I got really close to it too, but I didn't. But now it's just really about enjoying who I work with, the kind of atmosphere that I'm working in, and the character. That's why I think nowadays I tend to really try to be somewhat picky any more to what I do, not just going out to get a job. And sometimes you have to do that, you have to work just to work. But I'm very fortunate to say that I'm actually working at a job that I absolutely love and enjoy and everybody there I enjoy so much and I feel very blessed.
I'm going to show up and do my job to the best of my abilities every day, every week.
The beautiful thing about stand-up advice is that it applies to anybody, any gender, any race, any age. The best thing you can do - everybody will tell you - is get on stage as much as you can. I would add to that: get on stage as much as you can - with the people you admire.
Gary and I have been working together all our adult lives and there aren't many brothers who have that opportunity, or they have that opportunity but can't make it to the finishing line. I love the fact that I get to spend so much time with him and I'm not sure there's any other job, except being in another band together, where we'd get to do that.
When you're working as an actor, you don't think that when you get out of school, it's going to be so hard to get a job. Just to get a job. Any job. Whatsoever. You don't think that people are going to see you in a certain way.
There's no job in show business that's harder than any other job outside show business.
The way that 'Vampire' was born was over a lunch. We got asked to do the show. A week later, we were hired. A week later, we were writing it. The minute we handed it in, it was ordered. The minute we shot it, it was picked up. Then we started working. There was never any, like, 'OK, here's what this show is...' We had to figure it out as we went.
The Broadway community is unlike any community in show business and it is unlike any community in the world. When you come into the Broadway community they open the door and they say "welcome". Not only do they do that, but when times are really tough and horrendous things have happened and really tragic things - the Broadway community shows up! And they say "how can we help?".
There were some jobs I wanted that weren't necessarily right for me at the time. The ones I thought I'd never get, I got. As long as I am doing the best work I can possibly do at any given time, I can't do any better than that.
When I was doing the first 'American Pie' movie, I was just happy to have a job. We had a good time, and it was a great group of people, but like any project that I've worked on in my career, you just put your best foot forward, and you're all working together to make the best movie possible.
As actors, we deal with rejection so much more than any other business. So I don't care how much of a genius you are, if you don't have the propensity to be able to get back up every time you get knocked down, then you're not going to survive.
When you're working as an actor, you don't think that when you get out of school, it's going to be so hard to get a job. Just to get a job. Any job. Whatsoever. You don't think that people are going to see you in a certain way. Uta Hagen said this, "In my life, I see myself as just this, you know, kind of flamboyant, kind of sexy middle-aged woman. And then I see myself onscreen, and I go 'Oh my God.'" And it's the same thing with me. I didn't see myself any different from my white counterparts in school. I just didn't!
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